Wednesday, February 29, 2012

June 8th Can't Come Fast Enough

I'm not one for viral marketing, I think it's pointless at best (As in the case with The Dark Knight and Dark Knight Rises, which could just have a poster with a release date and nothing else and still make $200 in 3 days) and sad at worst (Most every other film or TV show trying to ape the success of Dark Knight by thinking it was because of the viral marketing campaign, and not, you know, quality storytelling and/or morbid fascination with the Heath Ledger final performance thing).
Why so seri.. oh. Right.


But I'm all for anything revolving around Prometheus, because that movie looks freaking sweet, and anything that reveals nothing about the plot or the film I'm all for, because I don't want to know anything until I'm sitting in a theater watching it unspool (or stream) before me!

Point is, here's some viral marketing for Prometheus that does just what I want it to. 



Since I'm in a Guy Pearce kinda mood, here's the other Pearce flick that's gonna kick our asses hardcore this year.

Saturday, February 25, 2012

2011 OSCAR PREDICTIONS

Who gives a shit?
Set Up of last year's Oscars, taken from place where I once worked.

In the meantime, here are some movies that are pretty solid, and might still be playing.

HAYWIRE
It's like Steven Soderbergh took a script for a Steven Seagal flick circa 1992, and shot it like The Limey. Very solid, fun action flick, with a charismatic (if not all that great) performance from MMA fighter and non-actress Gina Carrano. Plus, an awesome David Holmes score.

TINKER TAILOR SOLDIER SPY
Very calculated, very quiet, and very well done espionage drama. For everyone that's going on about the guy from The Artist giving an amazing performance because he does it without speaking, take a look at Oldman, who has like 3 lines, but owns the flick. That being said, I can't make a lick of sense with what happened.

SAFE HOUSE
Another solid flick. Good action, not too bad shaky cam/editing style. (Though sometimes you just want the DP to get a tripod and calm down). Exciting and intriguing enough to pass 2 hours away. Like a movie Tony Scott used to make.

Friday, February 24, 2012

Steve Jobs was terrible for the movies

Why? Because without a doubt, no matter where I go or what time of day, at least one jagoff at the movies always checks his iPhone in the middle of the movie.

ALWAYS.

This sense of self importance, this constant need to stay "jacked in" has gotta stop. Did we learn nothing from Strange Days, people?
Besides that the shaggy hair loser ex-cop would one day become Voldemort and rule us all?

Anyway, in addition to ruining movies and turning everyone into insufferable douchenozzles, they've also made commercials a lot more obnoxious. The most prevalent ad right now features a moron who decides to get a guitar, and has his robotic mistress Siri do all the hard work for him.

Thankfully, a wisenheimer on the interwebs went ahead a made a variation of the commercial that makes me smile.







That's right. Screw your iPhone, Apple!

(Sent from my iPhone)

Monday, February 20, 2012

Low Cool Month Continues

Did you know that Brady has a pretty terrific podcast that he regularly records with his brother?

Did you know that I recorded a podcast with them both, the subject of which is "Low Cool"?

Why don't you check it out, and boost his numbers up a few more notches! It's quality listening, and if you listen to it while at the gym, you'll work out for almost a whole hour without realizing it!

Enjoy!

Thursday, February 02, 2012

Third Low Cool Clip

HaHaHa!! Take THAT YouTube!!!

Here is the third clip of the epic slacker angst comedy that DEFINES that aughts: Low Cool- "Dinner With the Unwanted"
(seeking finishing funds)

LOW COOL (2003) - "Dinner With The Unwanted" from Michael Prince on Vimeo.

Friday, January 20, 2012

It was ten years ago...

A bright eyed fresh out of film school kid gathered his friends together and using every resource available to him, they put together a picture!

Well, half of a picture. Life and other things got in the way, and the picture remains unfinished.

But thanks to the wonders of YouTube ( a resource that would've been much appreciated during the making of this movie, had it been around) we can enjoy a few choice bits!

I present to you, Low Cool - Opening and Coming Home!



And The Pencil Dilemma!



There's a third scene, but YouTube is being a dick about the music I use and has it without audio. SO there's that,

Looking back, I definitely had the time of my life when we filmed it, surrounded by my friends who were just as enthusiastic about the prospect of making a movie, and who were willing to give up their time to do it. Great memories sprang forth from the ten days we filmed. (on 16mm, none of this DV that looks better than 16mm that they have nowadays).

One thing, however, is I notice the many flaws and the naivete in the writing. But I was young and didn't understand how the world works. This is learning.

Oh, and one fun fact about this flick and to those who look back at the Kevin Smith era of self financed films: I paid off the final credit card that I maxed out to help fund the flick in 2010.

Friday, January 13, 2012

For Christmas This Past Year...

 My mom got me a copy of Fantastic Mr. Fox on BluRay!

Unfortunately, nowhere on the disc was my amazing Wes Anderson interview (featuring Jason Schwartzman as Wes Anderson) to be found. Not even as some hidden Easter Egg! What the flip?!?

So that means you get to see it here once again!


Also, the first trailer for Wes Anderson's latest flick Moonrise Kingdom was just released. For Anderson fans such as myself, it looks like manna from heaven. For detractors and haters, it's more ammo for you.



Keep your eyes peeled to the site, as I have a nice blast from the past making it's online debut, hopefully by tomorrow!

Tuesday, January 03, 2012

The Best/Worst of Movies: 2011 Edition!

Greetings to the few readers who still stick around and check out what I have to say about things. (And the spambots who enjoy it too!) Another year has come and gone, and a crap-load of movies have been released upon us. Due to a poor career choice in the middle of year that left me uninvited to free movie screenings and making 150 phone calls a day telemarketing trying to sell people insurance in this terrible economy, my film viewings have been limited to a scant 45 movies!

Yes, I realize that's still a ridiculously large number, but coming from someone who's used to seeing well over 140 in a year, that's a crying shame.

But I love watching movies, and of the ones that I saw, these are how I felt about them. I won't get too much into specifics, as I probably did earlier on most of the flicks at some point or another throughout the year.

Here I present to you my picks for the best and worst of the year. Sadly, this year brought us nothing as groundbreaking as Piranha 3D, or Rambo, but it was a relatively strong year for solid flicks, if not altogether mind blowing cinema. As always, I'm up for suggestions regarding flicks I missed. (I included the list of things I haven't seen, but want to. Not to be confused with the list of movies that looked just too retarded for me to actually sit through… Twilight Breaking Dawn, I'm looking your way).

Still, from what I've seen, I give you my picks for my favorite movies of the year, with some justification for my picks.

THE TOP TEN
(er... twelve)

Super 8
Loved this movie to death. I realize the flaws, and I completely understand anyone's argument against the film, but that doesn't change the fact that I unabashedly heart this flick, and have continued to do so since first seeing it back in June. Nothing's lived up to it yet.

Drive
This movie is just balls to the wall cool. It's spawned endless quotations and playings of the soundtrack in my household. Just badass from frame one, and I can even overlook the fact that Carey Mulligan's character would NEVER send her car that was broken down in Echo Park to a repair shop deep in the heart of the valley. The Tow truck alone would cost more than the repairs! Still, Worthy of the praise and hype.

The Descendants
Clooney's the man, I've made no secret about my unabashed worship. Put him in an Alexander Payne movie, and you have a terrifically acted and incredibly moving portrait of a man trying to hold his family together in a time of crisis. That also takes place in Hawaii. Well done, and worthy of every award it will be passed over for due to it's subtle and understated nature.

Win Win

Pretty much the same description of Descendants can be used for this movie. Though not quite as outstanding as director Thomas McCarthy's previous films, this film still has me smiling 10 months after it's release.

Paul
For the scene where Simon Pegg and Nick Frost walk into the redneck bar and the band is playing a country western version of the cantina band music from Star Wars alone. Brilliant sci-fi nerd love fest.

Hugo
This movie was just utterly delightful. Enchanting, magical, and a must see for anybody who claims they like cinema. Naysayers be damned, this was a fun and charming flick, and the more I think about it, the higher up on the list it will climb. (I just saw it on Monday)


Submarine
At first, I was a little bummed that it wasn't as Wes Anderson-y as I expected it to be. But then I realized it was it's own thing, and that thing is great. A very understated gem that needs to be sought out and loved.

Attack The Block
Again, upon first viewing, there was a bit of underwhelming involved, especially given the fanboy hype that most likely cost it even mild box office success. (Seriously, stop with the free screenings for the fanboys, they're the only ones who go and never see it when the film is actually released). But this John Carpenter-80s Chris Colombus hybrid grew on me and my opinion, and I realize that it really is pretty kick ass flick, with a badass score to match.

Source Code
Duncan Jones makes the greatest feature length Outer Limits episodes. I'll watch anything the guy does, because he does it with style, flair, and respect for an audience's intelligence. Sure, the movie is Deja Vu (all over again! HA!), but it's told with such confidence and weirdness that it works on it's own level. Even if the ending makes zero sense whatsoever.

Detective Dee and the Mystery of the Phantom Flame

There's a character named Donkey Wang. That's just the beginning of the amazingness that is this movie.

Young Adult
This last spot was a tough one. I just saw this flick, and it's the freshest in my mind, but I really dug it. All the performances are terrific, from Theron as the heartless bitch main character to Patton Oswalt as the.. well, the Oswalt. The writing from my girl Diablo Cody was surprising and fresh, and those that hated Juno can put down their loathing, as it contains none of the hip slang, but all of the heart and wit. It's also dark as fuck, which is what elevated it above Rise of the Planet Of The Apes.

MISSION IMPOSSIBLE: GHOST PROTOCOL
Alright, so there's 12 on this top ten, but this movie, the more I think about it, is really badass. More so than X-Men and Thor. It's got a great sense of pacing, fun and excitement. The set pieces are terrific, the writing is top notch, and the actors chemistry is superb. Frankly, it's the best one of the series, and a helluva fun time at the movies. 

THE ALSO QUITE GOOD (in No Order Whatsoever)

Adjustment Bureau, The Mechanic, Cedar Rapids, Super, Hanna, Fast FIve, Thor, Hobo WIth A Shotgun, Bridesmaids, Make Believe, X-Men: First Class, Bad Teacher, Harry Potter 7.2, Captain America, Our Idiot Brother, Rum Diary, Rise of the Planet of the Apes

TERRIBLE MOVIES OF 2011

These movies brought me pain and wasted time that I will never get back. No matter how many blows to the head or bottles of whiskey I may encounter in my days.  There wasn't a full on ten, which I attribute to my ability to choose only movies I genuinely wanted to see and not waste time with the garbage.

Drive Angry Shot in 3-Crap

This movie was BULLSHIT! It's like the director had a coked out fever dream and caught Shoot Em Up on cable, but forgot about it and thought that this movie would be a good idea. Even writing about this movie angers me.


Season of the Witch

Nic Cage! 2 for 2! This movie at least had the benefit of being heavily edited for the PG13 to make up for the fact that it's terrible. However, it should be noted that both these flicks make for excellent listening on the "How Did This Get Made" podcast, which you should listen to if you don't already.

Sucker Punch
I wanted to like it. I tried giving it the benefit of the doubt, and read alternate readings into what Snyder was trying to do. But in the end, this movie was just garbage. Very cool looking garbage, but it was some bizarre video game/pin up girl/anime/wet dream hybrid that everyone should've just walked away from. Or at least had a few more meetings about before production started.

Transforming Robots Nonsense

To all those internet critics who stated that this was light years better than the last one, and that the last hour was spectacular filmmaking, all I have to say is this: FUCK YOU! It still made absolutely no sense, and was a rape of the senses. And of good taste. Even the siege of Chicago, which granted had some cool moments, made absolutely no sense and was should've stopped after 20 minutes.

The Roommate

Let's take Single White Female and remake it for the Gossip Girl era, but take out all the subtlety and suspense but instead feature ridiculously named actresses who speak in obscenely high pitched voices. Also, let's not have any nudity in it. Way to go, jerks. However, bonus points for having Billy Zane. Actually, this and the next movie were at least entertainingly awful, which is a plus.

Priest
Let's take that 10 minute desert sequence from Judge Dredd, cross it with Underworld and Blade Runner, wash it under a waterfall of stupid, and voila! I did enjoy how stupid this movie would continue to plummet, but it does have some genuinely great production design and a FANTASTIC (no sarcasm needed) Karl Urban performance.

THE MEH FILMS OF 2011

Sadly, there were a lot more of these than of the truly bad movies. These were movies that were either boring, stupid, or nowhere near offensive enough to be considered terrible, but also weren't a complete waste of time. Mostly.

Red State
Usually, I'm a staunch Kevin Smith supporter, and while I applaud him for branching out and finally trying something new (especially with his method of distribution) doesn't change the fact that I didn't care for the flick that much. Nothing terrible about it (in fact, the siege on the compound is some genuinely great filmmaking) he's just too in love with his own writing sometimes. And what the hell is up with the "Psycho" ending, just having a character explain everything? I know you ran out of money, but still, sir, that's just lazy.

Green Hornet

Literally fifteen minutes after watching this movie, I had no idea what happened in the movie. But I remember not hating it.

Unknown
This actually is 3/4 of a badass flick that gets ruined the second they explain everything and turn Neeson into an ass kicking machine. (Although, that stuff is great too, but it felt generic when compared to everything else that happened before). Also, STOP LETTING JANUARY JONES BE IN MOVIES! (see X-Men First Class also for more proof of this argument)

Battle: Los Angeles

It actually got better as it went along, but for fuck's sake by a tripod! Enough with shaky cam when it's not in a combat scene, especially when you're trying to differentiate the generic alien fodder soldiers that populate the flick. Still, there's some good in it, mostly involving fighting aliens in city streets. (Which reminds me, it really should be called Battle: Santa Monica).

Troll Hunter
Great premise, awesome special effects, but what a boring execution. The main problem I have is the found footage/fake documentary approach. The troll hunter himself is such a badass character that it should have been done straight up narrative. Still, the scene in the ace is pretty cool.

Green Lantern

Another great "How Did This Get Made" flick. Nothing much made any sense, but at least it was different in an extremely bizarre sort of way. Made me wish I still watched movies under the influence.

30 Minutes or Less
This one is an anomaly, because I enjoyed the hell out of the trailer and was shocked to discover that the trailer was pretty much the movie. Almost beat for beat. Like, no surprises or hilarious scenes beyond everything seen. Pretty astounding. And while it's not necessarily bad, there wasn't anything left for me to really enjoy. Weird.

Killer Elite
This one should've been amazing. Statham! Owen with a mustache! DeNiro! Guns! Espionage! Scorpions on the soundtrack! But it turned into low rent Munich, and while that turns out to be a neat idea, it's not the awesome movie this should've been. Also, one of the slowest 100 minutes of film I've seen in a long time.

Tower Heist
Still haven't seen the rest of it, but probably don't really need to. I have no beef with Ratner as a filmmaker that most fanboys do, but this is really one of the laziest directed films I've seen in awhile.

Immortals
Yeah, there's a scene where a guy in a barbed wire minotaur helmet smashes a dude in the junk with an enormous mallet because Mickey Rourke wanted the guy to know he will never have a kid to know what a traitor his father is. And there is a naked Frieda Pinto. (or body double). But every other money shot was in the trailer, leaving a gorgeous but vapid 300 wanabe.

THESE MOVIES ARE STUPID, BUT I ENJOYED THEM ANYWAY, DEAL WITH IT


Your Highness
Really stupid, but I chuckled more than I should, right from the beginning when McBride gets hung at the midget gallows. Plus, really appreciated the 80s fantasy films specificity. David Gordon Green is a fascinating director these days. I want him to go back to Snow Angles level films, but as long as he remains weird, I'm on board.

Friends With Benefits
The more I think about the editing in this movie, the more it bothers me. There's a lot about this movie that's easy to hate, but the chemistry between the two leads is so damn charming, it put a smile on my face. Also, it took me away from insurance business for 2 hours, which is alright by me.

Cowboys and Aliens
Well, I saw the first half on an airplane, then hit wicked turbulence, so I never got to finish it, much to my dismay, but most movies I watch on an airplane get a pass because they take my mind off the fact that I'm in an airplane. Hence my love for G-Force).

I HAVEN'T SEEN THESE YET, BUT TO SOME DEGREE WANT TO:
Cold Weather, Ip Man 2, Ong Bak 3, The Eagle, Gnomeo and Juliet, Vanishing on 7th Street, Hall Pass, Rango, I Saw The Devil, Uncle Boonmee Who Can Recall His Past Lives, Black Death, Electra Luxx, Kill The Irishman, Limitless, Lincoln Lawyer, Bill Cunningham New York, Peep World, Insidious, Rubber, Arthur, Meeks Cutoff, Henrys Crime, Evil Bong 3D,Conspirator, Atlas Shrugged, Legend of the Fist, Stakeland, Dylan Dog, 13 Assassins, Prom,  Cave of Forgotten Dreams, The Beaver, Everything Must Go, Hesher, Skateland, Pirates 4, Midnight In Paris, HAngover 2, Tree of Life, Beginners, The Trip, Cars 2, Larry Crowne, Terri, Perfect Host, Horrible Bosses, Zookeeper, Smurfs, Project Nim, Sleeping Beauty, Winnie The Pooh, Salvation Blvd, London Blvd, Another Earth,  Crazy Stupid Love, Devils Double, The Future, The Guard, Point Blank, Life In A Day, Bellflower, ChangeUp, Final Destination 5, The HElp, Conan, Fright Night, Last Circus, Colombiana, Don't Be Afraid of the Dark, Apollo 18, Shark Night 3D, The Debt A Good Old Fashion Orgy, Shut Up Little Man, Gainsbourg a Heroic Life, Contagion, Warrior, Burke and Hare, Straw Dogs, Moneyball, Pearl Jam 20, 50/50, Whats Your Number, Magaret, Take Shelter, Tucker and Dale Vs Evil, Ides of March, Real Steel, Human Centipede 2, The Way, The Thing, Big Year, Footloose, Texas Killing Fields, Trespass, Johnny English Reborn, Three Musketers, Paranormal Activity 3, Margin Call, Martha Marcy May Marlene, Being Elmo, In Time, Like Crazy, Very Harold and Kumar Xmas, 11-11-11. Elite Squad, J Edgar, Melancholia, Another Happy Day, Muppets, Arthur Christmas, Artist, Shame, Dangerous Method, Tyrannosaur, Rampart, Tinker Tailor Soldier Spy,  We Need To Talk about Kevin, Sherlock Holmes, Carnage, TinTin, The American Girl With The Dragon Tattoo, War Horse, We Bought a Zoo, Darkest Hour

NO INTEREST, BUT MAY SEE FOR THE PAIN OF IT:
Just Go With It, Justin Bieber Never Say Never, Bucky Larson, Jack and Jill, I Don't Know How She Does It, Abduction, New Years Eve, The Sitter, I Melt WIth You, WE, Twilight: Bullshit

Saturday, November 19, 2011

Manliness Just Got More Manly


I know I'm getting a little Expendables 2 crazy, given how much of a let down the previous film was.


But how can you look at this poster and not get excited about it?

Wednesday, November 16, 2011

Immortals and Rum (with a bit of Heist)

A few weeks ago, I won a contest over at Movieline. It was to see Immortals at the premiere! In 3D!!  All I had to do was caption a photo from the film. Here's the photo, with my winning caption beneath.

THIS... IS... (not quite)SPARTA!!!   

I wrote that as a lark, thought it would be funny. Didn't think it would win, when low and behold it did.

Little did I know, that would be an apt review of the film. It's not quite 300. It's a beautiful mess of a movie. By which I mean it looks gorgeous, but it's boring and makes no sense whatsoever. Literally EVERY awesome shot is in the trailer, save for one, which I will spoil for you right now.

That would be the scene where Mickey Rourke orders the guy in the barbed wire Minotaur helmet to smash in a dude's junk with a giant wooden mallet.

This actually happens in the movie.

And it's all downhill from there. It's not a bad movie, per se, but it is rather boring. Take from that what you will.

I did also catch Rum Diary, the earlier take on the life of a drunk Hunter Thompson and his misadventures with crazy people in Puerto Rico in the early 1960s. I rather enjoyed the film, even though it's was no Fear and Loathing. (But nothing really can be, now can it?)

The mood, setting, costumes, music and locations evoke an awesome period feel, one that I imagine people who watch Mad Men always equate it to. (Don't watch the show, but hear it's great with the 60s style). The story falls apart in the end, but I enjoyed the journey, and the almost age-less Depp once again reprising Thompson-incarnate for the big screen.

Sadly, more people have seen this tattoo than the movie.
And finally, there's Tower Heist. I couldn't wait for Tower Heist to come out so that I could stop seeing ads for Tower Heist. But I'm glad I saw Tower Heist when I did, before Ratner's unfortunate comments about rehearsals for films being exclusively for homosexuals, as it may have tainted my review even more than it already has.

Not surprisingly, that comment explains a lot about the lazy film, that doesn't even bother to have Eddie Murphy do anything of significance until the middle of the third reel, and it makes you wonder whether or not Ratner could have benefited from having a homosexual or 2 on set. It's really lazy and ramshackle, and spells out everything for the audience way before the characters reach the same point. It's not bad, but feels extremely "who cares?"

The cast of Tower Heist. Right?
I didn't hate what I saw, I was sort of enjoying it, and thought "This will be one of those movies that will be played on USA infinitely in a few years."  Some performances are good (Broderick and ALda especially), even if the New Yawk accents grow irritating.

Also, it's a New York film made by a degenerate douchebag that's never lived in New York. I realize you paid for the helicopter aerial shots of the city, but that doesn't mean you have to use them to link every scene.

Full disclosure: Due to unforeseen circumstances, I had to leave right when Eddie Murphy started having something to do. So I missed the ending, but I'm sure I could tell you what happens, or wait for DVD without crying too many tears.

Thursday, October 20, 2011

VOTE for the ABCs of Death!

My friend Shane has directed one of the contestant films for the ABCs of Death. For those who don't know, it's a film where 26 horror directors make a short film about a violent bloody death caused by an object from a corresponding letter - A is for AbRoller, B is for Butter, C is for Colostomy Bag, etc.

The "T is for..." position is being left up as a contest, and Shane has made one called T is For Table. It's quite good, and features our old friend Dan (He of DanSpeak, a now defunct portion of this old blog).

Anyway, please vote and support this as it will mean Dan's face will be on a large screen! It helps that the film is actually quite decent, and far better than a lot of the other ones up there. Also please spread the word, as voting ends October 31st. (Halloween... Spooky, scary)

Friday, October 14, 2011

Wednesday, October 12, 2011

Expendables 2 is filming

Even though the last one had brief moments of awesomeness (always when Dolph Lundgren was onscreen) I'm still looking forward to the prospect of a second one, featuring older versions of the heroes of my youth.

This is still a mighty cool picture. Here's hoping they actually have villains worthy of doing something, instead of Eric Roberts just hanging out and yelling at the guy from Dexter.

Monday, October 03, 2011

Friday, September 30, 2011

Movies that have come out that I somehow managed to see.

DRIVE
This movie is like a European art house version of The Transporter. It starts off hypnotic and meditative, fetishizing shots of Los Angeles like nobody's business. Complete with a soundtrack that should pay Tangerine Dream for the inspiration. Then it gets insanely violent. Throw in great performances from Ryan Gosling as the nameless Driver, Albert Brooks as a menacing heavy, and Ron Perlman as the Ron Perlman character, and you have yourself an awesome movie. Well worth the hype and reviews that have been lavished upon it.


DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME

Here's what you need to know about this movie: It's from Hong Kong, it's structured like a pretty awesome film noir, it has a terrific lead performance from Andy Lau, because it's from Hong Kong every character needlessly flips around when simple walking would suffice, and there's actually a character named Donkey Wang. It's a fun flick, and if you get a chance, see it on a big screen. IT probably won't happen, but it was definitely one of the better FX-heavy flicks I saw all summer. (Even if I saw it at the end of summer).


KILLER ELITE

Man, this movie should have been awesome. Chev Chelios pitted against Shoot Em Up?!!? And the trailer features Rock Me Like A Hurricane, and features Statham tied to a chair and kickin some dude's ass!?!?! SOLD! Alas, it turns out the film is more like a poor man's Munich. While not necessarily bad, it's not really that good either. One thing to point out, everyone's bitching out Clive Owen's mustache, but nobody bothers pointing out that the movie takes place in 1981, where those creepy staches were a sign of the times. 

OUR IDIOT BROTHER

I liked this movie. I thought Rudd was charming and a lot of fun. The ending is WAY too pat and tidy, but a movie like this, you just enjoy the ride. That's all I really have to say about that.

Tuesday, August 30, 2011

Catching up on some more flicks, PART 2



So, the insurance career I've recently partaken in has denied me the time I would normally spend all summer watching movies. As it stands, I've only seen a collection of the movies released this summer, and not the big ones that you would think either.

This turn of events both frightens and saddens me. Luckily, measures have been taken to remedy this.

Regardless, I have managed to catch a few flicks, and this is what I think about them.

SUBMARINE
Fun Welsh indie flick, reminiscent of Harold & Maude and Rushmore (mostly because of its teenage outcast protagonist, played very well by Craig Roberts) that balances the sweet and the sour of teen love and family life. Roberts plays Oliver Tate, and the movie is about his adventures. I can't really describe the rest, just know that it's worthy of checking out. A strong feature debut from Richard Ayoade, the actor from Garth Merengi's Dark Place and The IT Crowd. If I had a complaint, it would be that the soundtrack should've been better. That's it.

FRIENDS WITH BENEFITS
This is one of those movies where the charm and chemistry of the leads takes it FAR beyond the premise. Justin Timberlake is very good as the male counterpart who wants to have sex with his friend Mila Kunis. She is also very good. Like I said the chemistry between these two is great, but my problems with the film stem from the horrendous direction, which manages to be edited in the most ADD, over-covered way imaginable (since Easy A, director Will Gluck's previous film, actually)/ Additionally, every scene is plastered with pop music to the point of annoyance. Still, not bad, probably worth a rental. (No, I didn't see the other movie that was practically the same with Ashton Kutcher and Natalie Portman, but I heard it was little better, mostly because the lead characters had lives outside of just boning each other). 


HARRY POTTER AND THE BLAH BLAH PART 2
It's the last Harry Potter movie. It's just as well made as the last one. I would have preferred if they just combined both movies into one epic, 4 hour event, but it's ok. What's strange is that I was more emotionally invested in the book than with the film. (I refer to certain characters' deaths that had more of an impact in print). And the coda in the future was just plain ridonkulous. Still, a great end to a series of films that actually kept getting better as they were produced.

ATTACK THE BLOCK

This movie was pretty kick ass. There was a lot of hype from the internet movie sites, hyping this thing to end, calling it the end all be all of geek cinema, which is not true. In fact, the over-hype may have soured me a little bit. However, this movie was pretty awesome, harkening back to an old school John Carpenter feel (down to the score, even). And the creature design is pretty terrific. So terrific that I kept drawing it on whatever I could find.
This took a good half hour out of my day.

But as an antidote to most of the big budget blockbuster alien flicks, this invasion flick about a gang of London punks who defend their building tenement from neon teeth beasts was far superior. Well worth checking out, even if it didn't quite live up to the hype, in my mind.


30 MINUTES OR LESS
If you saw the preview, you saw the movie. It's not necessarily that it's a bad movie, just that there was literally nothing more to it than what was shown in the preview, aside from a few good Aziz Ansari one liners. (You're not a grown up, last night you had a Lunchables for dinner!) But this tale of inept crooks who strap a bomb to a pizza guy's chest so that he robs a bank for them plays off like Elmore Leonard-lite, and that's not necessarily a compliment. Even more frustrating is (SPOILER ALERT) there are really no consequences for anyone given the survival rates of the characters. Good for a few laughs, but you can wait for Netflix for a breezy 80 minute time. Sorely lacking the style and wit of the director/star's previous outing of Zombieland, which leads you to believe that flick's strength was the doing of the screenwriters.

I've also managed to check out a few flicks at home, as well that are worth checking out. Never Let Me Go was like a very well made but depressing art house version of The Island. I also liked The Adjustment Bureau quite a bit until the literal dues ex machina in the end. Make Believe is a fun documentary about teen illusionists that's winning and fun. And speaking of illusionists, The Illusionist, the follow up to Triplets of Belleville, is another interesting animation using pictures and very little dialogue. It's also depressing as fuck. And finally, there's I Love You Phillip Morris, which felt like a Coen Brothers movie, anchored by a fascinating story and a not at all annoying lead performance by Jim Carrey.

That's what I've seen lately. I also finally caught Close Encounters of the Third Kind, which is pretty awesome, and I'm glad I didn't see it before Super 8, because that movie owes a LOT to Close Encounters. Anyway, I'm hoping to catch the Apes and Captain America before summer ends.

OH, and friend of the blog OMAR saw Colombiana, and his voice mail to me consisted of "Oh my goodness... oh my goodness... oh my goodness. You have to let me know when you see it. It does things I've never seen in an action movie before."

So there you have it. Straight from Omar's mouth directly to your ears eyes.

Thursday, August 18, 2011

There have been a lot of videos posted lately...

And here's one more!



I promise I'll post up some reviews, but between new job and cutting a movie, I haven't had much time to see anything. But what I did see, I"ll let you know about.

Someday.

Thursday, August 11, 2011

They made a Black Dynamite cartoon!

It involves Black Dynamite fighting puppets. It might be one of the greatest things ever. 

Friday, August 05, 2011

Shark Week

This gets off to a slow start, but the ending is worth the wait. 


Saturday, July 09, 2011

Thursday, July 07, 2011

Yeah, so here's They Might Be Giants doing a cover of Tubthumping


They Might Be Giants covers Chumbawamba

I drink a whiskey drink, I drink a vodka drink, and when I have to pee, I use the  kitchen sink.

I sing a song that reminds me I'm a urinating guy.

Sunday, June 12, 2011

Catching up on some flicks, and stuff.

Yeah, yeah, I've got tons of excuses for not going to movies lately. But I've managed to see a few, and  here's what I have to say about them.

SOURCE CODE - Pretty terrific. The logic falls apart a bit by the end, but at that point I was so invested in the characters that I didn't care so much about logic. Duncan Jones makes great Outer Limits-esque storylines into compelling and awesome movies. (Loses points for not having as memorable a score as Moon).



HOBO WITH A SHOTGUN - Like a demented Troma flick that never was. Rutger Hauer does a great job portraying the titular hobo, and I mean that in no sarcastic terms whatsoever. He really gives a great performance. Probably best I've seen all year thus far. The movie itself is bloody and nihilistic, and would feel right at home in the early 80s alongside Troma's War. Worth checking out, just try not to let the color timing talk you out of it. (PS- The Plague OWNS!)

THOR - The stuff in Asgard was like watching the greatest 70s prog rock album cover come to life! Chris Hemsworth gives a star making lead performance as Thor (The diner scene alone is proof enough of this) and I look forward to seeing more of him as this character. The rest of the movie was pretty entertaining as well, though the Asgard stuff was certainly more compelling than the Earth-bound stuff. I was happy that it didn't feel like another 2 hour Avengers commercial (Iron Man 2, I'm lookin in your direction...) Plus any movie that has Natalie Portman AND Kat Dennings, yet manages to have an even hotter woman in the form of Jamie Alexander, who kicks Frost Giant ass, is alright by me.


PRIEST - This movie is like the inbred offspring of Underworld, Blade, and those crappy 20 minutes of Judge Dredd that took place in the wasteland. (As opposed to the crappy 80 minutes that took place in the major city). Hero of the blog KARL URBAN manages to be the only person (aside from the production designer, actually) that's having any sort of fun, and as such, any scene that doesn't feature him suffers greatly. This is a movie I wouldn't be surprised to find on How Did This Get Made. Yet, it's not so horrible it's entertaining, although it toes that line...

X-MEN FIRST CLASS - What a fun movie this turned out to be! I've been bitching and moaning about how the marketing for the film has focused way too much on showing almost everything, set piece wise (a claim which I still contend happened) but the result was far better than I was expecting. Terrific performances mostly all around, especially from McAvoy, Lawrence, and Fassbender. Only exception is January Jones, who is downright terrible, but is at least pleasing to look at in her underwear (which is practically the whole time). But they make up for it by casting EVERY awesome character actor to play minor parts, like James Remar, Ray Wise, and MICHAEL IRONSIDE! It felt like an old school Bond flick (Kudos to the composer for appropriate flavored tracks).



SUPER 8 - Unabashedly love this film. I can understand why people might not like it, and I can certainly understand the "Enough with lens flares, JJ" arguments, but quite frankly, I thought this was great. The kids were great, the nostalgic feel was pitch perfect, the kids filmmaking experiences is just as authentic as Son of Rambow's. Perhaps even more so. I may actually go and see this again in theaters. Just a great time. Can't recommend this enough.

On the video front, I recently caught The Mechanic (great Statham action flick, which means it's a pretty entertaining modern day Cannon flick), Due Date (rarely laughed, found it mean spirited and kind of obnoxious, actually) and I don't know if I mentioned this before, but Drive Angry is absolute shit.

Also, I've been mildly obsessed with the show Friday Night Lights, which I found dramatically compelling, but the continuity errors regarding the time of day/days of week, day/night, as well as the shaky cam editing can get a little obnoxious at times. Otherwise, it's great, although season 2 is getting a little crazy, but we'll see.

Tuesday, May 31, 2011

Wish I had these effects when I was a kid

We just had to use crap like our "Imaginations" and filming the TV to get Star Wars effects.

Tuesday, May 17, 2011

Books... Check em out!

Occasionally I enjoy reading. More than occasionally, actually. Books are great. Just like this informative video tells us.



So recently I picked up The Devil's Candy, a book that chronicles the making of the Hollywood flop Bonfire of the Vanities. Nobody could have known while making it that the film would be as large a flop as it became.

(And certainly reading the book, you would have no idea that would happen, as it seemed to be a relatively easy shoot, not an unmitigated disaster of nonsense like Heaven's Gate or that Terry Gilliam film that never made it past 6 days of filming.)

All in all, it's a decent read, but what really makes it worth it, at least reading my copy of it, was this horribly inappropriate pull quote on the back from Kirkus Reviews.


That's one to grow on
Sure, it was from 1991, and there was no possible way of knowing what future events would lie in store, but, really, how fucked up a quote is this to say to begin with? On top of which, the book isn't really that ground breaking or provocative, or scandalous. It's quite passive agressive and full of meandering details that amount to nothing in the end.

Still, looks like I have a collectors' item on my hands.

Books... check em out!

Saturday, May 07, 2011

Thursday, May 05, 2011

Fast Flippin Five!!! (and some other things)


Hands down, the best summer movie since Star Trek. Unbelievably badass and fun, in a turn your brain off and enjoy ridiculous fights, amazing car chases, and homoerotic tension between bros, bro.

My friend Larry says it best: It's like Bayhem, but with coherence.

Just a fun time at the movies, full of some terrific and exciting set pieces.

In Other News:

Den of Geek has a great interview with There's Always Mini Golf personal hero/patron saint KARL URBAN. Check that out.

Also, if you're in the market for a good podcast, check out How Did This Get Made. A bunch of funny people celebrating terrible movies. Well worth a listen.

Monday, April 11, 2011

One more tweener... Win Win!


From the man who directed The Station Agent and The Visitor comes another great movie full of everything you love about movies. Great characters, great story, great acting, laughs, drama, heart, Bobby Cannavale, and a setting in New Jersey. (Even if it was shot in New York). The ending is a little too tidy and neat, but it doesn't matter. One of the best movies out there right now, and well worth checking out.

Saturday, April 09, 2011

How about some Tweeners?!?

Haven't seen too many flicks lately, but I did catch a few and here's my opinion of them:

Paul: I thought this was terrific nerdy goodness. Some people complained that it was too full of references to other movies and pot jokes to be entertaining, but I disagree. I thought the references were actually necessary for character development (as this is how they would talk) and there's one scene where they smoke pot.  Also, I'm convinced that Pegg and Edgar Wright need to work together again, as I think Pegg's sensibilities are what's missing from Scott Pilgrim, but are more evident here. (Obviously). All in all, though, I really enjoyed Paul. Seth Rogen should do more voice work, and everyone who complains that the FX are terrible need to actually pay attention and not just board hype/hate trains. (Like the one that's knocking down Sucker Punch and Your Highness).

Also, you can't beat any movie that references to Mac and Me AND Capturing the Friedmans. Especially if that joke is right before the small cowboy line. 




Cedar Rapids: Pretty good, entertaining enough flick, but if you've sen the preview, you know most of the jokes already, which is a shame. Very slight, but still fun, and it actually has a core sweetness to it that's not pandering to mid-West folks, which is refreshing. In the beginning you think it's gonna be jokes about rubes who have faith, but ultimately it wins you over. Still, no need to rush out, it'll make a fine home viewing experience.



The King's Speech: Finally saw this, the last of the Best Picture nominees (and the eventual winner). What a good film! I can see how it won Best Picture over Facebook movie, and rightfully so. Like 127 Hours, you actually feel something after it's over. You see the man overcome his problems, you see his friendship with the doctor blossom amidst adversity, you see the epic scale of the war and of England's problems, and at the end, you feel good about yourself and humanity. You don't come out just thinking "Wow, what a well made movie." Performances are great across the board, direction is tight, some camera lenses are a bit weird, but who cares? Well worth checking this movie out, and well worth all the awards it did garner.

Monday, March 14, 2011

Battle Los Angeles: I saw it


Remove the first reel from the movie, and Battle LA was just like Tron Legacy: It's a freakin awesome spectacle that falls apart the moment you start to think about it. My solution: Don't think about it.

Full disclosure: I went in expecting to completely hate it based on everything I read elsewhere. On top of which, I'm a cynical bastard, and even the slightest thing can have me turn against a movie (slightly out of focus, framed too high/low, off sound mix). So when the awful shaky cam began, and inexplicably continued through the god-awful expository opening scenes, I was prepared to dismiss it, but give the guy who cut the trailer an Academy Award for tricking me so well.

Then reel 2 began, and that's when they should have just started the movie. I don't need or want to know anything about these stock characters. I still don't know anything about the characters, except there were three black guys and one had glasses, one had an accent, and one was angry, but he sort of disappears and I thought he was dead until his convenient "Arc" has to be resolved.

See what I mean about thinking about it too much?

Anyway, point is, that stretch from the Police Station to the Military base is damn exciting and intense filmmaking that miraculously managed to hook me in and turn my opinion of the film around. Yes, it's stupid, one-note, jingoistic as hell, and I'm probably a little dumber having seen it, but I still enjoyed myself and can't understand the extreme vitriol the film is receiving. Especially when a film like Drive Angry (shot in 3D!) exists, one of the worst movies I've ever seen unleashed to the public in a long time.

And you know what? Kudos to the filmmakers for not making this in 3D! That alone should garner half a star. Of course, were it in 3D, the nausea levels would be astronomical.

People in my audience were getting up and leaving, jag offs were checking their iPhones through the whole thing (seriously, people, knock that shit off. Screens are bright in a dark place, how can you not realize this, and why do you need to hold the screen right in front of you?), and there were people next to me who fell asleep (when the lights came up, I found piles of Pixie sticks layin on the ground, which would explain that part, but being they were late 20 yr old dudes, actually just raises more questions). My favorite reaction, though, was the woman behind me, who kept freaking out because the "locations" were a mile away from where we were watching it. ("That's the Overland exit!")

PS- I enjoyed that they keep calling it Battle LA, but didn't realize until the end credits that the LA stands for Louisiana. Despite what the woman behind me believes.

Tuesday, March 08, 2011

R. Bill Mountain's Response to the last post.

Due to Charlie Sheen taking up all the bandwidth server errors on the blogspot part, R. Bill Mountain, one of the six of you who still read this site, was unable to voice his opinion on the matter.

I now present to you his response:

Darn blogger wouldn't let me sign in to comment on yer blog. So here it is:

Agreed. Less marketing nonsense, more cinephilia. Fewer numbers, greater Karl Urban gags. Amen.

Time to make it about the pictures, man.

Balls. 


So there you have it. More Urban!!!

Who could refuse such an offer?

Friday, March 04, 2011

Box Office Report: The End?

Dude here again. As you might have been able to tell, I haven't been doing the box office report the past couple of weeks. The first week was because I was on a trip for the weekend, and didn't feel like bringing my computer.

The second week was because, well, I think I've reached the end of writing about box office reports. I've been writing one for the better part of 6 years for Moviesonline and for this blog, and while I love doing it there's only so much one can write about crappy movies making money.

This shouldn't come as a shock, I've been quite open and even openly belligerent towards my distaste of stupid films receiving lots of money while worthy films go into obscurity. And there's only so many ways one can talk about that for every week. Snark takes many forms, and I believe I used every one in my column.

It's been a lot of fun doing it, but I think, like Tom Petty says, "It's time to move on."

I will still continue to update the blog with my musings and ramblings, and occasional reviews of movies, but a lot of that spark has burned out as well, I'm afraid. Trailers give everything away from movies, websites are given constant videos of movies to the point where I feel I've seen the movie twice before it's even released in a theater. All the incessant coverage from movie sites, and their collective need to be "First" in reporting casting news and rumors like it's CNN World News, has really turned me off from wanting to write about it.

It's killing my love of movies, to be honest. And I can't let that happen.

Working in this industry is difficult and degrading enough as it is. When websites that were started out of fan devotion are becoming competitors (and ultimate destroyers) of venerable institutions like Variety and The Hollywood Reporter, something is wrong. Look, I don't need to know who's going to cameo in Hangover 2 until it inevitably shows up from Netflix. I especially don't need to know a year in advance of the film's release.

On top of which, reducing films to terms of commerce and judging their worth based on how much money they can make in short periods of time is just plain sad. It's like jocks kicked out the nerds and turned everything into a competition.

Or as Charlie Sheen would say, Winning! (TOPICAL HUMOR!)

Anyway, unless there's an overwhelming response from the readership, I don't think there will be anymore box office reports. I'll still put up mini reviews and wry comments, as always, but reporting on the numbers is indefinitely suspended.

Thursday, February 24, 2011

Talkin music, and another video.

In honor of Radiohead's new album released this week, here's Morgan Freeman receiving his boxed set of the last album.



By the way, I've been listening to the new album like crazy, and I somewhat enjoy it. But I'm through defending Radiohead and my love of them, so you're on your own when it comes to this one.

Music of late I haven't really been paying much attention to. The best album I heard last year was the new Underworld album. And yes, it does make me very happy when there's a new Radiohead and a new Underworld album released within a few months of each other. (Just like their previous albums, now that I think about it).

In other music news, it's a bummer about the White Stripes breaking up, but then I take comfort in knowing that there might be a new Soundgarden album on the way. My 16 year old self has never been happier.

Wednesday, February 23, 2011

Predator Musical

Not as good as my Se7en musical, but what can you do?



Bonus from /Film, dancing Predators on the set of part 2!

Sunday, February 13, 2011

Box Office Report: Lots of new movies and one with gnomes

Dude here again.  Hey, how about those recent current events in Egypt, eh? Or that super bowl of football that was played last week? Or anything else that's not movie related? Can we talk about something different for just one week? For a change?

Nah, I'm just fuckin' with ya! 

This weekend, a neck and neck battle between the titles beginning with "J", while my estimation of humanity drops down a few more pegs. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. Just Go With It (Sony)- $31.0, 3548 screens, week 1, $31.0 total

2. Justin Bieber: Never Say Never (Par) - $30.2, 3105 screens, week 1, $30.2 total

3. Gnomeo and Juliet (BV) - $25.5, 2994 screens, week 1, $25.5 total

4. The Eagle (Focus)- $8.5, 2296 screens, week 1, $8.5 total

5. The Roommate (ScrGms) $8.4, 2534 screens, week 2, $26.0 total

6. The King's Speech (Wein)- $7.4, 2263 screens, week 13, $93.8 total

7 No Strings Attached (Par) - $5.6, 2756 screens, week 4, $59.8 total

8. Sanctum (Uni)- $5.1, 2789 screens, week 2, $17.5 total

9. True Grit (Par)- $3.7, 2072 screens, week 8, $160.3 total

10. Green Hornet (Sony) - $3.6, 2090 screens, week 5, $92.3 total

So those are the numbers, but what do they mean? Well, it means that the top two movies are neck and neck for our mediocre viewing pleasure. The Adam Sandler/Jennifer Anniston romantic "comedy" Just Go With It seems to be in the lead, but who knows. The posters for this movie seem like rejected designs from the fake movies Sandler made for Funny People, so I'm a little surprised to find out it's real.

Hot on that film's heels is a documentary about a 16 year old boy (in 3D) managed to capture the hearts and imaginations of the people. The Bieber doc has exposed many people as fans and this opening proved this precocious boy and his hair charm everyone around them with auto-tuned glee. Except me.

Gnomeo and Juliet, the animated retelling of the Shakepearean romantic tragedy with lawn gnomes, had a impressive debut considering it opened up this same weekend. It sounds like the best movie out of any that were released this weekend, and far more interesting than that Leonardo DiCaprio version we got fiteen years ago. Holy shit, has it been fifteen years? Anyway, gnomes.

One thing's for sure, though. Nobody really wants to see The Eagle.

Fun Fact: Anniston is recognized by my spell-check.

Below the radar, Cedar Rapids, the latest from Miguel Areta, opened up on 15 screens and took in $311,000. There's also something called Vidal Sassoon: The Movie, which opened on one lowly screen, but took in $14,300 on that one screen, so what the hell do I know?

So there you have my amazing breakdown. Next week, a few more releases, one of which includes Liam Neeson traversing through Europe and kicking people's asses, which means you should see it above anything else. Or he'll find out. 

Until next weekend....
(All Numbers courtesy of Box Office Mojo)