Sunday, August 10, 2008

The Box Office Report returns to normal

Dude here again. I've returned to normal, linear narrative this week. (And no, I did not do that specifically so I could be in a world where Space Chimps tops a list). However, because I've become mildly obsessed with Christopher Nolan in the past few weeks, I've decided this week should be written in the style of Nolan's 2002 film Insomnia. By which I mean this is a reasonably done adaptation of a Norwegian original.

This weekend, yet another contender steps up to the plate to take down the winged one. And once again, there is a failure to do so. But it was close, and it looks like next week, Batman might be de-throned. But that's neither here nor there. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. The Dark Knight (WB)- $26.0, 4025 screens, week 4, $441.5 total

2. Pineapple Express (Sony) $22.4, 3072 screens, week 1, $40.4 total (wed. open)

3. The Mummy: Tomb of the Dragon Emperor (Uni) - $16.1, 3778 screens, week 2, $70.6 total

4. Sisterhood of the Traveling Pants 2 (WB) - $10.7, 2707 screens, week 1, $19.7 total (wed. open)

5. Step Brothers (Sony) - $8.9, 3182 screens, week 3, $80.9 total

6. Mamma Mia! (Uni) - $8.0, 3194 screens, week 4, $104.0 total

7. Journey To The Center of the Earth 3-D (NL) - $4.8, 1970 screens, week 5, $81.7 total

8. Hancock (Sony)- $3.3, 2258 screens, week 6, $221.7 total

9. Swing Vote (BV)- $3.1, 2213 screens, week 2, $12.0 total

10. Wall-E (BV) - $3.0, 2144 screens, week 7, $210.1 total

So those are the numbers, but what do they mean? Seth Rogen and James Franco lit a spliff and did their damnedest, but they were unable to wrest the number one spot from Batman. People like the Batman. It is now the number 3 highest grossing film of all time. Just after Star Wars and Titanic. Pineapple Express, however, opened up on Wednesday and took in $40 million over those five days. Mighty impressive.

More importantly, the most anticipated sequel of the summer, Sisterhood of the Traveling Pants 2, opened up on Wednesday as well, and didn't perform nearly as well as it should have. This might be more devastating than Space Chimps fiasco of last month. How can audiences miss the continuing adventures of... those girls and their... pants?

The Mummy suffers a steep stumble in it's second week, and it's possible the OTHER Brendan Fraser movie this year will prove to be the more successful. Or, they're evenly matched. And Mamma Mia crossed $100 million while we were paying attention the bat movie.

(You like how I made not one, but TWO Space Chimps references in one article? I will never let this movie die).

Below the radar, Bottle Shock, a movie about wine, opened up on 48 screens and took in $295,000, while Beer For My Horses, a film I'm presuming is about beer and horses and revenge, took in $226,000 on 98 screens. And Hell Ride, hands down, easily the worst movie I've seen this year, took in $83,500 on 82 screens. That's far too much money for that movie. It's... it's just awful. But it should be awesome. But it's just not.

There you have my amazing break down. Next week, Tropic Thunder rolls in, and an animated Star Wars movie opens up. That's a movie I completely forgot was coming out until just this moment.

Until next weekend....

Sunday, August 03, 2008

Edition Inspired Memento: Report Office Box


Until next weekend....

There you have my amazing break down honoring the previous works of Christopher Nolan. Next week, I return to normal, and we get another Apatow movie with my nemesis Seth Rogen! But the biggest blockbuster of the summer will open, too- Sisterhood of the Traveling Pants 2! I got my ticket for the midnight show already. Oh, and some Olympics are happening too, but who cares when we got traveling pants!

Below the radar, some amazingly titled movies opened in limited release. Well, only one, really. Midnight Meat Train opened up on 102 screens, none of which are near me, and took in $32,000. There's a history about this film and it's none release that I will not mention because I'm lazy and having too much trouble figuring out the backwards thing. Also, In Search Of A Midnight Kiss opened up on 2 screens and took in $14,000. All I know is they should have combined the two movies and made "In Search of a Midnight Meat Train Kiss". Actually, that sounds disturbingly pornographic.

Where was I? Oh right, Swing Vote. Yeah, it didn't really attract a lot of viewers. But it's Kevin Costner, and he tends to have some draw, I think. Right? What was the last movie Costner was in? I'm totally drawing a blank. The only movie that comes to my mind is The Postman. And that movie rocks, because it's about the post apocalyptic wasteland AND it has Tom Petty playing himself.

I would like to point out that while The Dark Knight took the top spot, Brendan Fraser managed to draw in more people to his movies, as he stars in the number 2 and 5 movies this weekend. Take of that what you will, but I think it just means that our lives will be Fraser-ized for a long time to come. Long live the Encino Man!

So those are the numbers, but what do they mean? Batman made more money. Broke some more records. Big surprise. However, the numbers between this and The Mummy are very close, and being that these are estimates, it's possible that Universal could pull off an upset. Regardless, Dark Knight continues it's dominance, and may indeed break $500 million in domestic gross. Then it will struggle to reach the Titanic record, unless you nerds out there keep buying those tickets!

10. Space Chimps (Fox) $2.8, 2134 screens, week 3, $22.0 total

9. X-Files: I Want To Believe (Fox) - $3.4, 3185 screens, week 2, $17.0 total

8. Wall-E (BV) - $4.7, 2555 screens, week 6, $204.2 total

7. Hancock (Sony)- $5.2, 2782 screens, week 5, $215.9 total

6. Swing Vote (BV)- $6.3, 2213 screens, week 1, $6.3 total

5. Journey To The Center of the Earth 3-D (NL) - $6.8, 2285 screens, week 4, $73.1 total

4. Mamma Mia! (Uni) - $13.1, 3062 screens, week 3, $87.9 total

3. Step Brothers (Sony) - $16.3, 3094 screens, week 2, $62.9 total

2. The Mummy: Tomb of the Dragon Emperor (Uni) - $42.4, 3760 screens, week 1, $42.4 total

1. The Dark Knight (WB)- $43.8, 4266 screens, week 3, $394.8 total

This weekend, Brendan Fraser steps up and tries to take down the Batman. He doesn't succeed, but comes awfully close. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

(And I bet the guys at the site will think I formatted it wrong, too. But they shouldn't believe their eyes).

Dude here again. It looks like The Dark Knight has once again conquered the top of the box office. In honor of director Christopher Nolan, I've decided to construct this box office report the same way as Nolan's break out film Memento. I briefly considered writing the entire thing backwards, but that's just a lot of work for a lot of confusion. And this is hard enough as it is. Seriously. And I bet you there will be mass confusion until you finish this paragraph.

Wednesday, July 30, 2008

Embedded Video Wednesday

Because I'm lazy, here's some fun things for you to check out.

First, another tinkering of Star Wars by George Lucas. That bastard.

Next, Some good old fashioned Bert and Ernie, doing what they do best.

Finally, from a song that pretty much sums up today in a nut shell.

Drink up kids. I am.

Sunday, July 27, 2008

Box Office Report: BAT ATTACK-WEEK 2!

Dude here again.I'm still in a funk over the disappointing numbers concerning a certain film named Space Chimps. This one is a no brainer, people! Monkeys, in space suits! What don't you people get?!?

This weekend, in a surprise to absolutely nobody at all, The Dark Knight continued it's reign of terror, while a few noble flicks tried in vein to make money on their own. One movie had a chance. The other did not. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. The Dark Knight (WB)- $75.6, 4366 screens, week 2, $314.2 total

2. Step Brothers (Sony) - $30.0, 3094 screens, week 1, $30.0 total

3. Mamma Mia! (Uni) - $17.8, 2990 screens, week 2, $62.7 total

4. X-Files: I Want To Believe (Fox) - $10.2, 3185 screens, week 1, $10.2 total

5. Journey To The Center of the Earth 3-D (NL) - $9.4, 2688 screens, week 3, $60.1 total

6. Hancock (Sony)- $8.2, 3309 screens, week 4, $206.3 total

7. Wall-E (BV) - $6.3, 3044 screens, week 5, $195.2 total

8. Hellboy II: The Golden Army (Uni)- $4.9, 3018 screens, week 3, $65.8 total

9. Space Chimps (Fox) $4.3, 2538 screens, week 2, $16.0 total

10. Wanted (Uni) - $2.7, 1754 screens, week 5, $128.6 total

So those are the numbers, but what do they mean? To be honest, I'm pretty sick of talking about the records that Batman broke. Pretty much go back in the archives and Find/Replace all "Pirates of The Caribbean 2" records with "Dark Knight" and you get the picture. So that's all I'm going to say about that.

Step Brothers, the latest from Will Ferrell, and the first of many comedies in the next few weeks that may or may not feature the same group of actors and taglines that contain the words "From the guys that brought you Superbad", did well. It's the best opening Ferrell has had since Talladega Nights. The X-Files movie, however, fared horribly, taking in $10 million. A far cry from the $30 million opening the previous X Files film opened to a full decade ago. Wow, I feel old.

Mamma Mia! continues to make my roommate sing ABBA songs (thanks for that, by the way) as it had a low decline in it's second week. In all the craziness with last week's bat-nannigans, it should be noted that Mamma Mia! has the biggest opening for a musical. (Non-animated, I believe). I don't know, they made up some record last week to make the movie feel better about itself for opening up against Batman.

Poor Hellboy, who had a very impressive opening but then stumbled terribly performance-wise thanks to that menace. Even Hancock got a fair chance before being completely forgotten. No worries, Hellboy, you're still the tops to me!

Below the radar, some movie called American Teen which is a "documentary" version of The Breakfast Club opened on 5 screens, and took in $44,000. I will not see this film. The only teen dialogue I want to hear uttered in a darkened theater needs that "Diablo Cody" touch. Honest to blog. Oh, and a documentary called Mon On Wire opened up on 2 screens, and took in $48,000, but had the highest per screen average of the weekend, besting the Bat. One less prize, Batman!

There you have my amazing break down. Next week, The Mummy Returns... Again

Until next weekend....

Wednesday, July 23, 2008

Siskel and Ebert and Roeper no more

It was recently announced that my favorite television program Ebert and Roeper at the Movies, was cancelled, in order to make way for a new, E!-style entertainment news program, hosted by a couple of young guys, none of whom are me. (To be honest, when I first started with my movie reviews, the ultimate goal would have been to be one of the replacement hosts).

This show has been on longer than I've been alive. I remember watching it every Saturday as a child, as that's where I heard about most of the movies I saw, even at a young age. (I was a weird kid, what do you want). I reeled in shock when At The Movies became Siskel and Ebert, as At the Movies replaced our beloved Chi town critics with Rex Reed and Michael Medved. I stayed with the show upon the untimely passing of Gene Siskel, a man who loved Saturday Night Fever more than my friend Steve. (And Steve's reasoning was mainly the music*. Yes, Steve was always a little weirder than me). I remember the string of guest hosts leading up to Roeper's placement in the balcony. And now, thanks to the wonderful invention of DVR, I continue to watch the show, even though I think Roeper's gotten a little too big for his britches since Roger had to leave the show 2 years ago due to a cancerous growth that robbed the man of his voice. (But not his words).

It's foolish to change the format of the show, and I'm happy that Ebert and Roeper both decided to walk away as opposed to conforming. (Not that they were asked). I have a feeling they will continue in another medium (interweb, perchance?) and I will probably follow them until the bitter end. Or I've taken over. It's fun to dream.

Anyway, here's something from about 21 years ago. It's Siskel and Ebert doing a promo, then entering into a Zinging contest. It's pretty damn great. Enjoy.


*Senior year of high school, Steve and I would drive around town, blasting that Saturday Night Fever soundtrack. There was one track, an instrumental salsa beat tune, that we dubbed "Priest and a Cop", because it sounded like the theme song of a TV show that would possess that name. Steve would take this one step further, and put a piece of tape onhis collar, and bless the passengers in the cars that we passed. Like I said, we were weird guys).

Sunday, July 20, 2008

Holy Shit!


Just got back from The Dark Knight. It really is as good as everyone says it is. Solid filmmaking all around. It really feels like if you took out Batman and replaced him with Al Pacino, the movie becomes Heat. Just outstanding in every respect, this film is. It has better action sequences, looks gorgeous, is cut well, has great music, and through it all, there is the elephant in the room that manages to steal the show and make you wish that you could turn back time and get a certain actor's shit together so that you could see more fantastic performances by him. Alas, this is one of two bizarre swan songs for the man, but this will most likely be one for the ages. Once the movie's over, you'll forget any inkling of the phrase "Nicholson's performance is the definitive Bat-villain".

No more. Ledger does tremendous work, and anytime he's not in the movie, you find yourself missing him.

Outstanding work all around. You owe it to yourself to check this movie out. On the biggest screen, with the best picture and sound conditions possible.

Holy Hyperbole-Laden Box Office Report, Batman!

Dude here again. I want you to prepare yourself for the biggest, most amazing and important box office report of my career, and of possibly your life. Never again will you witness something as miraculous as the numbers I am about to report to you. Sit yourself down and get ready to have your mind blown so much that it's gonna melt your face right off like you just removed the lid from the Ark of the Covenant.

This weekend, in a surprise to absolutely nobody at all, The Dark Knight opened up. And it opened up big. Really big. How big? Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. The Dark Knight (WB)- $1,000,000,000; 4366 screens, week 1, $1,000,000,000 total

7. Space Chimps (Fox) $7,350,000, 2511 screens, week 1, $7,350,000 total

So those are the numbers, but what do they mean? Well, it means Batman managed to break every single record in existence. Every single one. It made one billion dollars! It singlehandedly restored the damage down from the 4-month Writer's Strike on Hollywood. In 3 days!!!

The Dark Knight managed to play on the most amount of screens (4366 locations, 4 more than Pirates last year) and most places cancelled their other shows of other movies (like Meet Dave, Love Guru, and the Happening) meaning that The Dark Knight played on something close to 20,000 screens. Multiply that by the amount of shows per screen, and it means that the film played over 100,000 times!

There's more, too! It made the most in 3 days than any other motion picture in the history of all time. It took in $18 million on the midnight shows alone, to take in $66 million on Friday alone. (Biggest opening day). The IMAX screens have been sold out for weeks, setting records for IMAX pre-sales. It had the largest per screen average of the weekend, to boot!

That's not all. Since it's release Friday, the stock market saw a remarkable upswing, and the price of oil was lowered by $50 a barrel! The Dark Knight also managed to cure several diseases, including Syphilis and Restless Leg Syndrome. It restored sight to a group of blind people, and brought hope and faith to a small town in Nebraska, who had almost given up entirely. It took gold in the 50 AND 100 meter dash, and is poised for silver in several other events in the Olympics, which haven't even occurred yet. It has been nominated for several Academy Awards already, in addition to its Nobel Peace Prize nomination. (Bono, watch your back). And there are rumors that the image of Heath Ledger giving the thumbs have been showing up in spilled popcorn messes in theaters across the world.

Which means only one thing: Space Chimps failed to capture the global zeitgeist like the ads would have us believe. This brings shame to all.

There you have my amazing break down. Next week, even more records will be broken, as The Dark Knight tries to jump over 17 buses (2 more than Evel Kenieval!!) while translating the forgotten texts of the lost city of Atlantis. Oh, and the new X-Files movie comes out, too.

Until next weekend....

Saturday, July 19, 2008

Is there a Batman movie this weekend?

I don't think any can match the epic scope of this.



(Of course, neither film has ANYTHING on Space Chimps)

Friday, July 18, 2008

Why doesn't anyone want to see Space Chimps with me?

Seriously! This is a movie about monkeys in space, people! It's the biggest no-brainer since the alien versed the predator. (Granted, a movie they screwed up not once but TWICE, but still if you just watch the scenes where they serve each other, it's a tolerable motion picture).

But these are monkeys... AND THEY'RE IN SPACE!!! How does that not equal box office gold?!?!?

And why does everyone laugh when I ask them if they want to go see it this weekend?!?!? This is the epic motion picture event of the summer, and all I get are polite laughs, usually followed by the phrase "Wait, are you serious?"

Goddamn right, I'm serious. It's got monkeys in a space ship, and throwing bananas at each other. BANANAS!!! B-A-N-A-N-A-S! (Like that song, My Humps).

I can't stop...

...watching the WATCHMEN trailer! Holy crap does this look good. Say what you will about the lack of substance in Zach Snyder's movies, but the man knows how make a good looking, kinetic action flick.


I've finally found something to take my mind off The Dark Knight excitement for the weekend. March 6th can't come fast enough.

Sunday, July 13, 2008

Box Office Hellboy-aganza

Dude here again. Apparently there's a movie coming out about a man dressed as a bat. It's been making some news. I haven't heard too much about it, but I can tell you it didn't come out this week.

This weekend, one more comic book character/superhero joins the fray, and this isn't about the man in the batsuit fighting the clown. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. Hellboy II: The Golden Army (Uni)- $35.8, 3204 screens, week 1, $35.8 total

2. Hancock (Sony)- $33.0, 3965 screens, week 2, $165.0 total

3. Journey To The Center of the Earth 3-D (NL) - $20.5, 2811 screens, week 1, $20.5 total

4. Wall-E (BV) - $18.5, 3849 screens, week 3, $162.7 total

5. Wanted (Uni) - $11.5, 3157 screens, week 3, $112.0 total

6. Get Smart (WB) - $7.1, 3086 screens, week 4, $111.4 total

7. Meet Dave (Fox) - $5.3, 3011 screens, week 1, $5.3 total

8. Kung Fu Panda (Par/DW) - $4.3, 2704 screens, week 6, $202.0 total

9. Kit Kittredge: An American Girl (PicHouse) - $2.3, 1849 screens, week 4, $11.0 total

10. Indiana Jones... (Par) - $2.2, 1664 screens, week 8, $310.4 total

So those are the numbers, but what do they mean? Well, it means Hellboy can enjoy a nice week without having to worry about aforementioned bat man. (He is only a boy after all, although for those who have seen the film, you know he should be called Hell-MAN). Anyway, the wonderfully bizarre freak show from the mind of Guillermo Del Toro brought the filmmaker to his best opening thus far (besting his Blade II opening) and most likely securing a third sequel that we won't see for about 6 more years. Thanks Hobbit fans!

Journey to the Center of the Earth 3-D finally opened! I remember seeing ads for this forEVER! But it has a T-Rex and it's in 3-D, so it really can't be all that bad, right? It can't be any worse than Beowulf's "Hide-the-wang" 3-D display, right?

Meet Dave, a new movie where Eddie Murphy further distances himself from his rabid Norbit fanbase, opened up pathetically. Like, that's pretty sad. Although, it's not nearly as awful as Pluto Nash, so I suppose there always is a silver lining.

Meanwhile, Hancock, Wall-E, Wanted, and Get Smart continue to make more and more money each week. Kung Fu crosses the $200 million marker. And Indiana Jones struggles to make more money than Iron Man to proclaim it the king of the summer, but it just isn't quite there yet.

Below the radar, a movie called Tell No One, a French thriller that's supposedly very good, took the biggest per screen average (even bigger than Big Red) and took in $241,000 on 14 screens.

And in this week in schadenfreude, let us all observe the sad fate of The Incredible Hulk, which has managed to match the previous Hulk motion picture, but not really advance any further than it, meaning the whole "Reboot" process was pretty much all for naught. At least it was a good flick.

There you have my amazing break down. Next week, SPACE CHIMPS!!!!!

Until next weekend....

Thursday, July 10, 2008

Pure Evil Does Exist In This World



While I can almost sympathize with her plight, this was just.... I don't know.

Sunday, July 06, 2008

It's been brought to my attention...

...That I'm slacking more than usually in the blogging department. And that's true. And there are several good excuses for why. And I shall break them all down for you.

1) Procrastination

Alright, that's really all I got. Well, I probably have a few more reasons if I sit down and really think about it, but I have other things I need to be doing. Well, even that's not true, because I'm also procrastinating on those things as well. It's a vicious circle, no beginning, no end. It's the root of all things not done, or at the very least half done. (In some cases, only a third done, but it's a powerful first third).

Yes indeed, spring fever has lapsed into summer influenza, which when added to extreme heats combines to concoct a heady summer's brew of laze. That and some other factors. One comes to mind:

GRAND THEFT AUTO IV


Yes, indeed, I have been suckered into the fine world of videogaming. Submitting to the whims of hype, my roommates and I purchased this game and have not been able stop playing it for about the past two months.


(There have been some less successful forays into "RockBand", but I get sick of the songs and always insist on playing the drums, where I tend to screw up the final note of each song. This upsets Dan, who seems to be under the impression that our band is actually real, and that my poor performance is approaching Weiland-levels or neglect towards "our fans". Times like this remind why I stopped being in real bands in the first place).

So Grand Theft Auto IV. It's truly remarkable as a piece of gaming history, as you can interact with pretty much anything in the obscenely photorealiistic world. As far as game play goes, it's pretty much more of the same as the other games, so nothing new there. You can still pick up hookers and kill them for the money you just paid them to dry hump you in a back alley. You still have absolutely zero remorse for other's personal safety as you steal their cars and hit them on the head to make sure they understand the lesson you've just taught.


But they've gone and done something remarkable this time around. They've made the game more like real life, as you now have to maintain relationships. Via email, texting, phone calls, dates, trips to bars and pool halls, bowling, mini golf, helicopter tours... There's just too damn much to do in this game. If I want to go on a date with a girl (of which there are several to choose from between friends trying to set you up and internet dating... yes, internet dating. In the game) I have to call her up, pick her up at a reasonable time, change my clothes (after going to a variety of different stores to shop for said clothes), and hope that what I do can impress her. Then, if I did impress her, I can push my luck and try to get sex. Sounds like (gulp)... reality! Sadly, my pixellated avatar Niko has much better luck than I could possible imagine to.

(Christmas time...)


The reality parallels don't stop there for me, I'm sad to say. In the game, you drive around from place to place, delivering various elements in an order to keep your bosses happy. Free time is spent driving around back to my home, or to aforementioned activities. Take away the machine guns, and this game is my life to a T. Again, except for the luck part.

So, I realize the Alanis-esque irony involved in playing a videogame that is essentially my reality in my hours when I'm trying to escape said reality. Not exactly the healthiest of psyches, but then again, I haven't always been the brightest crayon in the box.

Since I've spent so much time playing this game, I've lost track of almost all the other things in my life. I'm amazed I've come this far, to be honest with you. But it did eat up into my movie going schedule, and for awhile I hadn't seen anything since Indiana Jones. (Except for a week I spent watching old movies in a theater. I had a lovely Escape From New York/L.A double feature, with a John Carpenter Q&A. (And I had a big laugh at the end, when Snake shuts down the world in L.A., the movie print was old and Paramount Static-y, so it naturally shut down the movie. I pointed it out at the right moment, providing one of the bigger laughs of the evening. not Simon Pegg-laugh worthy, but I take what I can get). This was followed a few days later with a Big Trouble in Little China/Assault on Precinct 13 double bill that just rocked my world silly.

Anyway, here's a quick recap of the flicks out now that I did manage to catch, in reverse order of when I saw them.


Hancock - Completely serviceable for the first 2/3, much like I Am Legend, Will Smith's latest flick. Hancock succeeds primarily because of Will Smith's charm. But it falls apart big time at the end, most likely as a result of studio tinkering. And while Hancock is fine and enjoyable, it's movie cotton candy that evaporates from your mind the second it's over. However, I was left with the notion that there is a much darker, much more hilarious and misanthropic version of Hancock that Billy Bob Thornton should have played in full on Bad Santa mode.

Wall-E - Unbelievably good, like all Pixar films. I can't believe this movie worked as well as it does. Wall-E is a fantastic character, and his journey is a bold one. This movie is for the whole family, but everything you read about how adults can enjoy the film just as much is more than true. The themes, and social satire on display will go over a lot of kids heads, but it should send messages to those able to comprehend them. And aside from that, it's really fun to watch a robot as a main character. While he might not knock down R2D2 as my favorite robot of all time, Wall-E does damn fine. It's also quite possibly the best looking movie I've seen this year, and it makes me upset that I probably won't live long enough to travel through space.


Get Smart
- Full disclosure, I had a little bit to drink when I saw this movie, which would explain how hard I laughed at the trailer for The Rocker before the movie began. (Upon watching that one sober, I realized there isn't much to be laughed at). Regardless, Get Smart is a lot better than it has any right to be. It's carried by the effortless charm of Steve Carell, Anne Hathaway, and of course, The Rock. The plot is not exactly the strongest, and it devolves into the tendency to end every movie, no matter what genre, with a large explosion, but the leads keep it fresh and fun, and there's one joke in the movie that should be the lamest joke conceived, but they pull it off so well, I was laughing for far too long, embarrassing the person next to me. Again, there was liquor involved, but it's still much more worthy of your time than you might think.


The Happening - Oh my, this movie is awful. 10,000 B.C. awful. There's so much wrong with this movie that it's worth watching for the unintentional comedic value alone. Only a filmmaker like Shyamalan could pull this movie off. Apparently, it's about trees that get mad at humans so they emit a gas that turns bad actors into bad performance artists. Seriously, the first scene alone should tell you what you're in for. Hell, even the company logos before the film are long and drawn out. The movie opens with a two minute title sequence over clouds. CLOUDS! Mark Wahlberg, in the worst performance of his career, stares vacantly, as he and Zooey Deschanel both seem to not believe that they are actually in this motion picture. Seriously. Just look at them in this picture.

They try to outrun the wind, and somehow manage to do just fine. Meanwhile, the wind manages to hit quite a few cities in it's attempts to scare humanity into taking better care of the trees. This leads to elaborate set pieces that involve people stopping, then killing themselves. It would have been a bit more frightening if the people had turned on each other, a subject that was handled with far more skill and finesse in The Signal. (Consequently, they made Signal for what was probably Wahlberg's Fruit Roll-Up budget on Happening). Anyway, this movie's pretty terrible, but definitely worth checking out. Sadly, I liked it better than both The Village AND Lady in the Water. Shows to go ya...

The Incredible Hulk
- Hulk smash. Hulk nowhere near as boring as previous Hulk! Hulk also missing heart, but Hulk become Hulk-Ultimatum! Hulk also no get boner or turn into Hulk! Hulk's life suck! Tim Roth good actor! Hulk loud and sometimes blend into background! But Hulk still fun loud movie!

Alright, that's about all I got now. But rest assured, I'll have a few more posts in the upcoming weeks, including an award winning short essay about porn.

Box Office: Fresh Prince Edition

Dude here again. Thanks for bearing with last week's truncated box office report. I know you come for the goods, and like, 40 weeks of the year I deliver, but sometimes, even a man like me needs a break. Or, wireless internet when I go on vacation. But the places I went to were charging far too much for that, and I don't make as much money from stripping as I used to. Point is...

This weekend, Will Smith tests my juvenile urge to giggle every time someone utters his character's name. Oh and he makes a mint in the process solidifying him as the last true movie star in the world. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. Hancock (Sony)- $66.0, 3965 screens, week 1, $107.3 total (Wed. open)

2. Wall-E (BV) - $33.4, 3992 screens, week 2, $128.1 total

3. Wanted (Uni) - $20.6, 3185 screens, week 2, $90.7 total

4. Get Smart (WB) - $11.1, 3574 screens, week 3, $98.1 total

5. Kung Fu Panda (Par/DW) - $7.5, 3347 screens, week 5, $193.3 total

6. The Incredible Hulk (Uni) - $4.9, 3043 screens, week 4, $124.9 total

7. Indiana Jones... (Par) - $3.9, 2192 screens, week 7, $306.5 total

8. Kit Kittredge: An American Girl (PicHouse) - $3.6, 1843 screens, week 3, $6.1 total

9. Sex and the City (NL)- $2.3, 1275 screens, week 6, $144.8 total

10. You Don't Mess With The Zohan (Sony) - $2.0, 1731 screens, week 5, $94.7 total

So those are the numbers, but what do they mean? Well, it means Will Smith can continue to be in whatever the hell he feels like being in, and people will come. Oh my, the people will come. With a five day total equivalent to the Gross National Product of Anguilla, The Fresh Prince can reclaim his crown as the king of 4th of July Weekend, as well as something ridiculous along the lines of most consecutive #1 openings. Records are FUN!

Wall-E continues to kick a lot of ass, as well it should, because that's a damn fine movie. I'm using a lot of profanity in this. Wanted also continues it's cinematic boot to the groin of awesomness. Ass damn hell! Anyway, Hancock (hehe) pretty much had the weekend to itself, although there seems to be a nipping at the heels by Kit Kittredge, another movie about a doll that comes to life and kills people.

(Alright, full disclosure time, I didn't even watch the movies anymore. I just make the movies up in my head, as they're far superior and ultimately more satisfying. And curiously enough feature Dolph Lundgren and dancing Salma Hayek).

Below the radar, a movie called Gonzo opened up on 26 screens and took in about $190,000. Sadly, this is not a biopic of the beloved Muppet, but a doc about everyone's favorite writer and Johnny Depp subject, Hunter S. Thompson. (Fun fact: I have a tattoo of Thompson somewhere on my body. Only Jack Daniels will say where).

And in this week in schadenfreude, let us all observe the sad fate of The Love Guru, which in only it's third week has dropped from the top ten and has yet to reach $30 million domestic gross, which is less than half the film's reported budget. Good times. (I'm mean when I drink. And I shouldn't be allowed to write things when I'm drunk either, but that hasn't stopped me in the three years of doing this).

There you have my amazing break down. Next week, Hellboy has one week to make a lot of money before The Dark Knight swoops down and gives us a spanking we all deserve.!

Until next weekend....

Sunday, June 29, 2008

Box Office.. blah blah

Dude here again. I just got back from Vegas. It was a long, arduous, and extremely hot journey. I still have some money left and my legs aren't broken, but it's awfully late, so you get truncated numbers and that's about it and you'll like it.

This weekend, two completely different movies make an obscene amount of money. Close to the amount of money I lost this weekend. But not really. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. Wall-E (BV) - $62.5, 3992 screens, week 1, $62.5 total

2. Wanted (Uni) - $51.1, 3175 screens, week 1, $51.1 total

3. Get Smart (WB) - $20.0, 3915 screens, week 2, $77.2 total

4. Kung Fu Panda (Par/DW) - $11.7, 3670 screens, week 4, $179.3 total

5. The Incredible Hulk (Uni) - $9.2, 3349 screens, week 3, $115.5 total

6. The Love Guru (Par)- $5.4, 3012 screens, week 2, $25.3 total

7. Indiana Jones... (Par) - $5.0, 2556 screens, week 6, $299.9 total

8. The Happening (Fox) - $3.8, 2483 screens, week 3, $59.0 total

9. Sex and the City (NL)- $3.7, 1755 screens, week 5, $140.1 total

10. You Don't Mess With The Zohan (Sony) - $3.2, 2147 screens, week 4, $91.2 total

So those are the numbers, but what do they mean? Pretty much exactly what they present themselves to be.

There you have my amazing break down. Next week,Will Smith comes to reclaim his Fourth of July Crown! And one week closer to The Dark Knight!

Until next weekend....

Sunday, June 22, 2008

Box Office Report: Beyond Thunderdome

Dude here again. Back in full swing. Not letting my parents do my work for me until next year. Or their birthdays. Whichever comes first, really. Or if I go back home to visit them. That's what they get for not having wireless.

This weekend, there was a great showdown between two comedies. And much like Thunderdome, two men enter, one man leave. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. Get Smart (WB) - $39.1, 3911 screens, week 1, $39.1 total

2. Kung Fu Panda (Par/DW) - $21.7, 4053 screens, week 3, $155.5 total

3. The Incredible Hulk (Uni) - $21.5, 3508 screens, week 2, $96.4 total

4. The Love Guru (Par)- $14.0, 3012 screens, week 1, $14.0 total

5. The Happening (Fox) - $10.0, 2986 screens, week 2, $50.2 total

6. Indiana Jones... (Par) - $8.4, 3171 screens, week 5, $290.8 total

7. You Don't Mess With The Zohan (Sony) - $7.2, 3278 screens, week 3, $84.0 total

8. Sex and the City (NL)- $6.4, 2442 screens, week 4, $132.3 total

9. Iron Man (Par) - $4.0, 1912 screens, week 8, $304.7 total

10. The Strangers (Rogue) - $1.9, 1578 screens, week 4, $49.5 total

So those are the numbers, but what do they mean? Well, in the showdown between comedies, Get Smart takes the cake over The Love Guru. It's kind of strange, really (possibly ironic in the Alanis sense of the word), that Mike Myers, a man known for comedy through the 90s, falters miserably with a new character of his creating (even though he apparently recycles all his old jokes), while Steve Carell, one of the faces of comedy in this millennium, overtakes the weekend, but he appears in a movie that's a remake of a TV show from the 1960s. Noble Prize winning books have been less complex than that. (Well, some). But yeah, that's pretty bad for Love Guru, but at least we're now spared the sequels.

The Kung Fu Panda and The Incredible Hulk are duking it out for second place. My money is on the panda. animated movies usually take in more on the weekends, plus with schools letting out... you know what? I'm boring myself with this paragraph. Oh, but the Incredible Hulk is performing pretty much the same as Ang Lee's Hulk, but this Incredible Hulk has the distinction of a lower percentage drop between first and second weekend. (Though not by much).

Oh, Iron Man became the first movie this year to reach $300 million. Whoopee!

The Happening... has anyone seen this movie? It's pretty amazing. And not in a good way. Much like my other favorite film of the year, 10,000 B.C., The Happening is an unbelievably entertaining moviegoing experience. Not because it's scary or suspenseful or full of insight, but because it's utterly hilarious. And that's not intentional, which makes the movie that much more special. And yet, I still think it's better than The Village.

Below the radar, Brick Lane, an adaptation of a book that's received a lot of acclaim in written and cinematic form, opened up on 7 screens and took in $50,500. Impressive. Kit Kittridge, an All American Girl, another attempt to turn a doll into a movie, opened up on 5 screens and took in $223,000, which gives it the highest per screen average of the week.

There was also a movie that opened up called Baghead. This amuses me because back in high school english class, we had to perform monologues in front of the class. My friend Brian did not prepare for it, and came into class with a shopping bag over his head, performing a monologue from the play "Baghead Johnson" where he lamented the fact that he has a bag for a head. It was hilarious, so he naturally got an F for the project, but a solid B+ in my book for effort. I doubt the Baghead movie bears any similarities, but it made me smile.

There you have my amazing break down. Next week, Wall-E! And Wanted! And only a few more weeks until The Dark Knight!

Until next weekend....

Tuesday, June 17, 2008

Sweet Merciful Christ on Crutches!!!!

Ong Bak 2!!!!!!!!!!!! Bow before the mighty power, before it crushes your throat with its shins!

Sunday, June 15, 2008

Box Office Report: Dad's Day Edition

Dude here again. In all fairness to my parents, I decided, since it is Father's Day, to let old Father Dude take a crack at what I do every week. (Since Mom did such a great job last time. The only thing is, my dad's a little... direct. And a man of few words. I just set the template, and let him go. Let's see what he does.

This weekend, they made another Hulk movie? I thought that came out. I didn't like it too much. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. The Incredible Hulk (Uni) - $54.5, 3505 screens, week 1, $54.5 total

2. Kung Fu Panda (Par/DW) - $34.3, 4136 screens, week 2, $117.9 total

3. The Happening (Fox) - $30.5, 2986 screens, week 1, $30.5 total

4. You Don't Mess With The Zohan (Sony) - $16.4, 3466 screens, week 2, $68.7 total

5. Indiana Jones... (Par) - $13.5, 3804 screens, week 4, $275.3 total

6. Sex and the City (NL)- $10.1, 3155 screens, week 3, $119.9 total

7. Iron Man (Par) - $5.1, 2403 screens, week 7, $297.4 total

8. The Strangers (Rogue) - $4.0, 2410 screens, week 3, $45.3 total

9. Prince Caspian (BV) - $3.0, 2308 screens, week 5, $131.7 total

10. What Happens In Vegas (Fox)- $1.7, 1422 screens, week 6, $75.7 total

So those are the numbers, but what do they mean? They made another Hulk movie? It seems to have taken in a lot of money.

The Happening... well, it happened to make a lot of money also! (Dude's note- He couldn't stop laughing at that one for quite some time).

Indiana Jones is still out. Look at these movies, it's all the same as twenty years ago. Why don't they make movies like Escape From New York anymore? That was a movie. Are they making a sequel to 300?

Sex and the City, god, your mother dragged me to this. Now she can't complain when I make her see that Death Race movie. That movie's going to hurt you sideways!

That's all I have. It's father's day and I want to watch golf on the HD. Why don't you send me cards anymore?

There you have my dad's amazing break down. Next week, Get Smart (Dad really wants to see this) and Love Guru (which he likens to having rabid wolverines systematically attacking his crotch) both open up, in a showdown of mediocre comedies on the same weekend!!!

Until next weekend....

Sunday, June 08, 2008

Box Office Report: Vaguely Martial Arts Related Edition

Dude here again. I hope you had a good weekend. I had a good day at the office on Friday. One of my supervisors said if I delivered an item to one of the executives dressed as a ninja, he would buy me lunch. and with that one swift decision, I became the office prank monkey. The sad part? Nobody at my job really seemed to question that I was walking around the office dressed as a ninja.

This weekend, speaking of ninjas (like that segue?) the Kung fu Panda proved that messing with the Zohan pays off in big ways. Ways that the Speed Racer wishes it knew. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. Kung Fu Panda (Par/DW) - $60.0, 4114 screens, week 1, $60.0 total

2. You Don't Mess With The Zohan (Sony) - $40.0, 3462 screens, week 1, $40.0 total

3. Indiana Jones... (Par) - $22.8, 4190 screens, week 3, $253.0 total

4. Sex and the City (NL)- $21.3, 3325 screens, week 2, $99.2 total

5. The Strangers (Rogue) - $9.2, 2477 screens, week 2, $37.6 total

6. Iron Man (Par) - $7.5, 2931 screens, week 6, $288.8 total

7. Prince Caspian (BV) - $5.5, 3065 screens, week 4, $125.8 total

8. What Happens In Vegas (Fox)- $3.4, 2366 screens, week 5, $72.2 total

9. Baby Mama (Uni) - $.0779, 922 screens, week 7, $57.9 total

10. Made of Honor (Sony) - $0.775, 740 screens, week 6, $44.6 total

So those are the numbers, but what do they mean? Well, it means people really felt the need to see a Panda voiced by Jack Black perform some kung fu. In animated form. $60 million is an impressive debut, and I believe in our "every weekend is a record breaker" times, this is the "Highest Grossing Dreamworks Non-Shrek-Sequel Debut Of All Time!" Let that sink in your hat rack for a moment.

Adam Sandler had an impressive debut in his Zohan movie. That's all I really have to say about that. Sex and the City dropped steeply, but will most likely take in more than these estimates proclaim, and will overtake Indiana Jones. There's something emasculating about that. But not really.

Opening up in limited release, Mongol, a film about Ghengis Khan that was a nominee for Best Foreign Film (to find out what country, do it yourself, I'm too lazy for research) opened up on 5 screens and took in $133,000. Impressive, as it also had the highest per screen average. Higher even than the Zohan or the Panda.

And in the "Because It's There" series: The Forbidden Kingdom took in $88,000 on 160 screens, bringing its grand total to $51,925,000 in 8 weeks.

There you have my (strangely martial arts related) break down. Next week, Hulk: the Apology! And as an extra added bonus, The Happening happens.

Until next weekend....

Sunday, June 01, 2008

Box Office Report: Sex-y Edition. (I'm so ashamed...)

Dude here again. Sure, some movies came out in theaters. But the only movie that matters at all this year was just released on DVD. It's called "Rambo". And it is, despite the company not using my pre-ready quote, the greatest motion picture in the history of all time. And all these other movies that opened up this weekend and are making boatloads of dough severely dim in comparison to the sheer grandeur of Rambo.

This weekend, many box office reports will have horribly pun-ny headlines about how Sex sells. Because this Sex and the City movie opened up. And probably because there's a lot of sex in it. If not, that's a horribly misleading title. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday).

1. Sex and the City (NL)- $55.7, 3285 screens, week 1, $55.7 total

2. Indiana Jones... (Par) - $46.0, 4264 screens, week 2, $216.8 total

3. The Strangers (Rogue) - $20.7, 2467 screens, week 1, $20.7 total

4. Iron Man (Par) - $14.0, 3650 screens, week 5, $276.6 total

5. Prince Caspian (BV) - $13.0, 3801 screens, week 3, $115.6 total

6. What Happens In Vegas (Fox)- $6.8, 3086 screens, week 4, $66.0 total

7. Baby Mama (Uni) - $2.2, 1784 screens, week 6, $56.1 total

8. Speed Racer (WB) - $2.1, 2070 screens, week 4, $40.5 total

9. Made of Honor (Sony) - $2.0, 1905 screens, week 5, $42.9 total

10. Forgetting Sarah Marshall (Uni) - $1.0, 768 screens, week 7, $60.4 total

So those are the numbers, but what do they mean? Well, it means a lot of cosmo-sipping ladies got all their gal pals together (and/or reluctant man candy) and trotted out to the theater with the same excitement men reserve for a film like Rambo. Sex and The City, one of the last New Line projects still around, opened up to a nice $26 million alone on Friday, and took the weekend with a solid $55 million. (Fifth highest R-Rated opening OF ALL TIME!!!) I have not seen the movie (A small fear leads me to believe someone might force me to in the near future) but at two and a half hours, and with an R-rating, this is mighty impressive. Saddening, but impressive. the film;s no Rambo, after all.

Also in a fairly impressive debut, The Strangers took in about $20 million. Not bad at all. One wonders if it would have done better opening on a weekend by itself in earlier times, but this is still a good debut, and I believe it is the largest debut for a film by Rogue, who have brought us fine cinematic treats like Shaun of the Dead, Unleashed, and Doomsday. Although horror films kind of get waysided this time of year for the big tentpoles, The Strangers looks to fill that void, and succeeds.

As for holdovers, Iron Man continues to metaphorically beat the tank. And Prince Caspian continues to not be that impressive. (Although, the head of Disney claimed it was because the film was released in May, which makes a whole lot of sense because movies released in May rarely make money or break records). Indiana Jones now has the distinction of the film in the series that made the most money and was the most disappointing. And then there's the tragic tale of old Speed Racer, where the less said, the better.

Opening up in limited release, the funniest movie I saw this year, The Foot Fist Way, opened up on 4 screens and took in $36,000. It expands next week, and if you get a chance, I highly recommend you seeing it. Also opening, Stuck, a film by Stuart "ReAnimator" Gordon, about a man stuck in a girl's windshield (I wish I was making that up) opened up on 2 screens for a $10,000 haul. And Tarsem's The Fall expanded after a few weeks of limited release, expanded and took in around$360,000

And in the "Because It's There" series: Superhero Movie took in $78,000 on 157 screens, bringing its grand total to $25,634,000 in 10 weeks.

There you have my break down. Next week, an Adam Sandler movie and a movie about an animated panda that performs kung fu duke it out to be the king and queen of the prom that is the box office weekend.

Until next weekend....

Sunday, May 25, 2008

Box Office Report: Money Down The Drain

Dude here again. I bring to you numbers. Large numbers. Numbers that make people happy. Very happy. Unless you're one of the people who was disappointed in what you spent your money on. I know I was. And that makes this large number a little disturbing to report.

This weekend, Spielberg proves that he can just throw anything at all together and make a boat load of money at the same time. And when I say anything, I refer to Shia LeBouf summoning his monkey friends to help defeat communism. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday. PLUS, there will be large numbers for tomorrow being the holiday weekend. but I'm too lazy to write 2 articles. And the word for 2).

1. Indiana Jones... (Par) - $101.0, 4260 screens, week 1, $126.0 total

2. Prince Caspian (BV) - $23.0, 3929 screens, week 2, $91.0 total

3. Iron Man (Par) - $20.1, 3915 screens, week 4, $252.3 total

4. What Happens In Vegas (Fox)- $9.0, 3188 screens, week 3, $54.2 total

5. Speed Racer (WB) - $4.0, 3112 screens, week 3, $36.2 total

6. Made of Honor (Sony) - $3.4, 2393 screens, week 4, $39.0 total

7. Baby Mama (Uni) - $3.3, 2158 screens, week 5, $52.1 total

8. Forgetting Sarah Marshall (Uni) - $1.6, 1078 screens, week 6, $58.1 total

9. Harold and Kumar... (NL)- $0.91, 750 screens, week 5, $35.9 total

10. The Visitor (Over) - $0.78, 270 screens, week 7, $4.4 total

So those are the numbers, but what do they mean? Well, I think I said it before, mentioning how Indiana Jones, not the greatest of Mummy rip-offs out there, made an insane amount of money over four days. With tomorrow being the holiday, I have a feeling a record of some sort will be declared. "Greatest Five Day Opening By Spielberg", or "Just a shade under the Pirates, but really they ripped us off first". Studios love to declare things like that.

However, the other movies this week didn't seem to fare so well. Narnia had a steep, almost 60% decline from last week's take, and although it could be considered a hit in most languages, it's an underperforming hit. Iron Man, however, continues to clean up, making another $20 million, in 4 weeks of release. and yet, the Speed Racer seems like it will struggle to break $50 million. What happened to the blockbusters?

War, Inc. is the latest film from John Cusack, and it opened on 2 screens taking in $36,500 total. Not very impressive, although the movie is scheduled for a DVD release in a few weeks. (It doesn't help that it's receiving horrible reviews). Speaking of horrible reviews, the latest magnum opus from everyone's favorite punching bag Uwe Boll, Postal opened up on 17 screens. However, nobody reported any numbers which leads me to believe nobody at all is seeing the film. Which is a shame, because it's not THAT bad. (But it's still pretty bad).

And in the "Because It's There" series: 10,000 B.C. took in $104,000 on 187 screens, bringing its grand total to $94,520,000 in 12 weeks.

There you have my break down. Next week, the onslaught of underperformance continues with the highly anticipated release of a movie based on an HBO show about hookers. At least that's what I think HBO runs, right? It's not TV, it's HBO.

Until next weekend....

Thursday, May 22, 2008

Indiana Jones and the Kingdom of Confused Feelings and Monkey Warriors


We've waited for 19 years to finally see what good old Indiana Jones has been up to. Is he still his usual rakish self? Calm under pressure, but as reliant on luck as he is his brain? Can he still work the whip? And more importantly, when push comes to shove, will he just go ahead and shoot first when the time calls for it? Or has he become a useless, forgotten old man?

Sadly, none of these questions become of much issue in the film. Instead we get some good old fashioned chases. Lots of them. And some pretty bad CGI work. But a lot of fun. Mostly.

This is merely a reaction (and a 3 in the morning one, at that), and there will be no plot summary. I don't want to ruin anything about the plot at all, because it's fun to discover it along with the characters. Even if the script sometimes treats you like an idiot.

Man, where to begin. Firstly, this movie is not a disappointment on an "Attack of the Clones" level. It does not murder (nor improperly violate) all the good memories of your childhood Indy. It is, for the most part, a hell of a fun ride. But there's most certainly something rather off about the proceedings. So while I have a big smile on my face during the flick, as soon as it was over, I was starting to let all the little things get to me.

What works: Harrison Ford as Indy, for the most part. It's great to see him back, swinging the whip (in the few scenes he uses it in). He still has it. Although there are some scenes where it looks like Spielberg woke him up from a nap and didn't tell him they were rolling. It doesn't matter, because Ford puts on the hat and is Indy and that's great.

There are also some good chase scenes and set pieces that only Spielberg could have directed. I particularly enjoyed the warehouse chase, and the motorcycle chase with Shia LeBouf, as Indy's reluctant partner this time around. I liked the dynamic between Indy and LeBouf, which grows throughout the film nicely, not forced. And it's great to see Karen Allen again, and the scene where she and Indy are reunited... I'll just let Indy's reaction speak for itself. All the actors do good jobs, really, but their characters feel a little off.

It should be noted that John Williams once again provides an excellent score, referencing the previous music cues of Indy's past adventures, while creating some
new ones. though not quite as memorable.

But then we get to the things that don't work. Which is, like most George Lucas projects, the script. Did we really need to wait 19 years for this story? It feels like pieces of forgotten failed ideas, stitched together with the occasional wink and a nod to the original series. It has far too many characters doing stupid things for the sake of plot purposes, and the final goal in the end, the goal of Cate Blanchett (with her wonderful "Boris and Natasha" accent) is ultimately pointless, and nowhere near as compelling as the MacGuffin in the previous three films.

Oh, and this movie also features the dumbest use of monkeys since Apocalypto. Seriously. It is so mind numbingly stupid, your jaw drops in disbelief that it made it past Spielberg, who usually has a good detector when it comes to these kinds of things.

The CGI effects aren't that great (the practical effects are dandy, and a nice "old fashioned" technique that works). Every single punch and kick sounds exactly the same (although they are most certainly the same noises from the original films, which is nice.) And above all, the look of the film is strange. Janusz Kaminski, Spielberg's DP since Schindler's List, loves to use a harsh white light in his scenes, bringing a sense of "harsh realism" into the palate. Here, he tries to replicate the camera moves of the original, but he continues that blinding light, and it's distracting and off putting. Just like most of the movie.

I'm not going to lament about how the movie feels old and sluggish, because I kind of liked that. I don't feel that the story tarnishes the good name of Dr. Henry Jones Jr. I am not offended by the existence of this film, like I sometimes get. I fully admit, I had a good time at it. I suggest people check it out with a crowd and have a good time at the movies seeing an old hero return.

I am saying, though, that it's definitely the weakest of the Indiana Jones movies. And I think it's because Spielberg and Lucas have gotten old, and fallen into their routines without having too much joy show up on the screen. I feel the making of featurette on the DVD will be more fun to watch, seeing everyone back together and smiling and having a good time that doesn't quite translate to the film I just saw and the films from my youth. And that makes the tears fall outta my face faster than Toht's face melting before the ark of the covenant.

Wednesday, May 21, 2008

The classics never die



I saw this as a kid, and then not again until last night. The funny part is, I never actually read the credits before.

Sunday, May 18, 2008

Box Office Report: May 18th 2008 Edition!

Dude here again. My mother was more than pleased to do last week's box office report. I think she did a good job with it. But I missed doing it, so I fired her and took back control. (She still does the laundry, though).

This weekend, the Iron Man is knocked down a peg by the Prince Caspian fellow. And Speed Racer continues to sputter over any sort of finish line. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday. Just to prove this column wrong).

1. Prince Caspian (BV) - $56.5, 3929 screens, week 1, $56.5 total

2. Iron Man (Par) - $31.2, 4154 screens, week 3, $222.4 total

3. What Happens In Vegas (Fox)- $13.8, 3255 screens, week 2, $40.3 total

4. Speed Racer (WB) - $7.6, 3606 screens, week 2, $29.3 total

5. Baby Mama (Uni) - $4.59, 2503 screens, week 4, $47.2 total

6. Made of Honor (Sony) - $4.50, 2816 screens, week 3, $33.7 total

7. Forgetting Sarah Marshall (Uni) - $2.5, 1601 screens, week 5, $55.0 total

8. Harold and Kumar... (NL)- $1.8, 1403 screens, week 4, $33.9 total

9. The Forbidden Kingdom (LGF) - $1.0, 997 screens, week 5, $50.2 total

10. The Visitor (Over) - $0.68, 224 screens, week 6, $3.4 total

So those are the numbers, but what do they mean? Well, the Chronic(What?)cles of Narnia opened up to some decent numbers. Fewer than the previous film in the series, but that didn't have to go up against Iron Man. Or face Indiana Jones next week. Still, an impressive haul, one I'm sure will be declared as the "Highest Grossing Sequel to Open on May 16th, 2008".

It's looking like Narnia was the only movie that really opened up this week. Although joining the top ten this week is The Visitor, the second film from Thomas McCarthy, who directed the wonderful film The Station Agent. It's getting rave reviews and looks to be an indie sleeper worth checking out.

What Happens In Vegas continues to hold strong and attract audiences in the mood for laughs and inevitable romance between two obnoxious people. And the audiences are choosing this one over the Made of Honor one. I can't decide whether to be happy or sad about this.

Let me tell you something about Speed Racer, it seems nobody is seeing, nor even cares about this movie. A 60% drop for the movie I best heard described as "Stabbed in the eye with a rainbow", Speed Racer is almost ready to be declared a natural disaster, This saddens me, but it gives me hope that the IMAX screenings will be less crowded for it now!

And in the "Because It's There" series: Son Of Rambow took in $223,000 on 91 screens, bringing its grand total to $509,000 in 3 weeks.

There you have my break down. Next week, the two-fisted punch in the junk of awesomeness that is Indiana Jones and Postal!

Until next weekend....

Wednesday, May 14, 2008

An answer to a question asked awhile ago


Most people have tasted capers, but few have seen them growing or knowwhat they are. These tiny, pungent spheres are actually the pickled flower buds of an attractive shrub (Capparis spinosa) that is common in the Mediterranean region but oddly rare in this country.

Sunday, May 11, 2008

Box Office Report: Mother's Day Edition

Dude here again. It's Mother's Day, so in a nice change of pace, I decided to have my mother do the box office report for this week. Because nothing says "Thanks for being an awesome mom" like making her do your work for you. But she better make it quick because I have a few more loads of laundry she needs to get done tonight.

This weekend, the Iron Man made a lot of money. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday. Just to prove this column wrong).

1. Iron Man (Par) - $50.5, 4111 screens, week 2, $177.1 total

2. Speed Racer (WB) - $20.2, 3606 screens, week 1, $20.2 total

3. What Happens In Vegas (Fox)- $20.0, 3215 screens, week 1, $20.0 total

4. Made of Honor (Sony) - $7.6, 2734 screens, week 2, $26.2 total

5. Baby Mama (Uni) - $5.7, 2627 screens, week 3, $40.3 total

6. Forgetting Sarah Marshall (Uni) - $3.7, 2376 screens, week 4, $50.7 total

7. Harold and Kumar... (NL)- $3.1, 2264 screens, week 3, $30.7 total

8. The Forbidden Kingdom (LGF) - $1.9, 1724 screens, week 4, $48.2 total

9. Nim's Island (Fox) - $1.3, 1601 screens, week 6, $44.2 total

10. Redbelt (SPC) - $1.1, 1379 screens, week 2, $1.2 total

So those are the numbers, but what do they mean? Look at how much the iron man made. I like that Robert Downey Jr. He was great in Soapdish. I always liked him.

Speed Racer? They made a movie about that? My son is telling me it's from the people who made The Matrix. Wait, Emile Hirsh is Speed Racer? I thought he was also in Iron Man. There's so many movies out there.

What Happens In Vegas? It should stay there! I'm kidding. I'm glad to see that Ashton Kutcher got some work after That 70s Show. He always plays dumb so well. Oh wow, that made almost as much as Speed Racer. I bet somebody's inflating some numbers there. nobody likes coming in second, but nobody likes coming in third even more.

Which was the movie where the man keeps showing his business? Forgetting Sarah Marshall! Your father laughed at that one a lot.

What's Redbelt? My son once again informs me that it's a new movie from David Mamet. David Mamet used to prank call your Aunt Rachel's father a few years ago. Something about an order of goats. I guess it's a Northeastern thing.

There are so many movies. They all made a lot of money. When are your movies going to be made? You know, you can still go back to school and get a teaching degree, right? Your brother Mark is doing well with his degree, teaching kids in Tanzania how to write a paragraph, he's such a good humanitarian. What? Oh, the dryer buzzed.

There you have my (mom's) break down. Next week, the Chronic (what?)-cles of Narnia comes out. Mom did like that one, but she says she fell asleep during the one with the polar bears. And she is also very excited for Indiana Jones. (She made me write that).

Until next weekend.... Happy Mother's Day
(My parents).

Friday, May 09, 2008

Donnie Darko 2?



How about that?

Please go on over to Moviesonline to check out the whole scoop. (Broken by yours truly). Was supposed to break next week, but then those TMZ assholes picked up on it.

Sunday, May 04, 2008

Here's another Steven Seagal music video!


Really, what more do you need?

Box Office Report: All Iron Edition

Dude here again. Did you see that movie where the guy in the iron suit beats up a tank? Because looking at these numbers, I'm willing to bet that quite a few of you did. Then again, as I've previously stated, there's nothing wrong about a movie in a giant metal suit fights another guy in a giant robot suit while an electric guitar wails in the background. Nothing wrong with that at all.

This weekend, summer begins, as will the countless weeks of huge openings and steep drop offs. It's just the nature of the business and overcrowding. Let's go to the numbers, shall we? (All in millions, remember, and these are the studio estimates. The actuals will be available on Monday. Just to prove this column wrong).

1. Iron Man (Par) - $100.7, 4105 screens, week 1, $104.2 total

2. Made of Honor (Sony) - $15.5, 2729 screens, week 1, $15.5 total

3. Baby Mama (Uni) - $10.3, 2548 screens, week 2, $32.3 total

4. Forgetting Sarah Marshall (Uni) - $6.1, 2872 screens, week 3, $44.8 total

5. Harold and Kumar... (NL)- $6.0, 2545 screens, week 2, $25.2 total

6. The Forbidden Kingdom (LGF) - $4.2, 2960 screens, week 3, $45.1 total

7. Nim's Island (Fox) - $2.7, 2478 screens, week 5, $42.5 total

8. Prom Night (ScrGms) - $2.5, 2434 screens, week 4, $41.4 total

9. 21 (Sony)- $2.1, 2242 screens, week 6, $79.0 total

10. 88 Minutes (Sony) - $1.6, 1765 screens, week 3, $15.4 total

So those are the numbers, but what do they mean? Well, it means there's a record of some sort here, probably utilizing the phrase "Best Non-Sequel Weekend Not By Spider-Man", or something along those lines. I'm a little ashamed having written that. Regardless, Iron Man made a whole lot of money. That's a serious chunk of change. Whether or not the other summer blockbusters live up to this weekend remains to be seen (Probably won't, save for Indiana Jones and Batman), but this is a grand way to start off the summer movie season.

In an effort to counter-program for audiences who wouldn't want to see a man in a metal suit punching things (Which is probably a very small portion of the populous, let's be honest, who doesn't love a movie with that?), Made of Honor opened up to second place, a mere $85 million less than the number one spot. This would not seem like a well thought out plan, and given that there's other counter programming competition, this one will probably fall by the wayside soon enough.

The holdovers are interesting to look at. Baby Mama, Sarah Marshall, Harold and Kumar... hell, even 88 Minutes is still in the top ten. Wow. That's chilling AND depressing!

Below the top ten, Redbelt, a David Mamet movie about mixed martial arts fighting, opened up on 6 screens to take in $68,600, or roughly about $103 million and change less than Iron Man took in. And Son of Rambow opened up on 5 screens to take in $52,500, which is $16,000 less than the aforementioned $103 million average figure of the Iron guy. Pretty impressive. And a new film from Harmony "Gummo" Korine called Mister Lonely opened on one screen, taking in $19,100, which is pretty impressive for one screen, and the second highest per screen average after the metal one.

And in the "Because It's There" series: In Bruges took in $54,900 on 71, bringing its grand total to $7,488,000 in 13 weeks.

There you have my break down. Next week, a Speed Racer will try to match Iron Man, and will probably not do nearly as well. And there's an Ashton Kutcher movie I've already got my ticket for! (That is a total lie, I want to burn prints of this film).

Until next weekend....

(Jason Vs. His Inner Demons)

Friday, May 02, 2008

A dude in an iron suit fights a fuckin' tank!!!



Iron Man slapped my world silly. It's a pretty kickass movie. It contains almost everything I want out of a moviegoing experience. Let's go to the checklist:

1) Robots (or men in robot suits) fighting.

2) Badass electric guitar anytime said robots make a move.

The only thing is, the movie needed to end with a high-five. (That and a Salma Hayek dancing scene is always appreciated). But that doesn't negate the impact of how pretty freakin rad Iron Man is. Downey gives a great performance as Tony Stark, and is just having the time of his life. Sort of like Depp in the first Pirates movie, how carefree he was about the whole affair, in his own world doing his own little thing. He's a good guy, that Robert Downey Jr.

Jon Faverau was defintely the right guy to direct this movie. He has a great sense of tone and pacing, and a style that differentiates this from the other super hero flicks. Not for nothing, but I really enjoy how each comic book hero gets a different style and feel to their respective films. It's all about matching the right material with the right filmmaker, and with Faverau, Iron Man has found his match.

If there is any complaint I have (aside from the lack of a high five at the end), it's that the movie feels a little slight. It's a wonderful origin story, but you spend so much time watching Tony Stark become Iron Man, but I want to see more of what he does As Iron Man. I guess that's what the sequel's for.

(By the way, stay through the end credits. There's a lovely surprise awaiting you there).

So to sum up: Iron Man- Ain't nothin' wrong with that!

(High-Five)


(yet another Man of Iron)